John Smith
1952 (72 года)In Far Away Land
Andrew Kötting
Marcia Farquhar, Mikhail Karikis
Back stroke butterfly, front crawl and bras, we are awash in an ocean of bubbles. Meanwhile Captain Ahab sets sail on his magic carpet in search of the whale. All is not well in the world but Eden is there, fresh from her garden, tuning into “The Far Away Land”. We are deep in the cloud of our own making but help is at hand, and everything might yet be alright.
In Far Away Land
Home Suite
John Smith
John Smith
Home Suite, Smith’s first video work, is a close-up journey through a domestic landscape and a journey through memory, containing only three cuts over the course of its ninety-six minutes duration. Playing upon ambiguity and the unseen, the tape uses physical details of the space to trigger fragmented verbal descriptions of associated memories.
Home Suite
Cinema16: British Short Films
Ridley Scott, Stephen Daldry
Stephen Daldry, Simon Ellis
This critically acclaimed DVD contains 16 of the best classic and award winning British short films and delivers a snapshot of British cinema past and present. It includes films from Britain's most exciting new talent alongside early shorts from it's most successful filmmakers' amongst them Chris Nolan (Memento, Insomnia, Batman Begins), Ridley Scott (Gladiator, Alien), Mike Leigh (Secrets and Lies) and Stephen Daldry (Billy Elliot, The Hours). 01 About a Girl - Brian Percival 02 Boy & Bicycle - Ridley Scott 03 Dear Phone - Peter Greenaway 04 Doodlebug - Christopher Nolan 05 Eight - Stephen Daldry 06 Gasman - Lynne Ramsay 07 Girl Chewing Gum - John Smith 08 Home - Morag McKinnon 09 Joyride - Jim Gillespie 10 Inside Out - Tom & Charles Guard 11 Je Taime John Wayne - Toby Macdonald 12 The Sheep Thief - Asif Kapadia 13 The Short & Curlies - Mike Leigh 14 Telling Lies - Simon Ellis 15 UK Images - Martin Parr 16 Whos My Favourite Girl? - Adrian J. McDowall
Cinema16: British Short Films
Slow Glass
John Smith
Ian Bourn
Experimental documentary that presents a discussion of the manufacture of glass as a way to explore memory and transformation. Filled with Smith’s signature witty wordplay and elegant visual punning, Slow Glass also quietly ponders weightier issues of urban transformation and the value placed on craftsmanship.
Slow Glass
Leading Light
John Smith
John Smith’s Leading Light evolves a sense of screen depth and surface through the simple agency of light. The film is shot in a room over a period of a day and records the changes in light through the single window. The image is controlled through manipulation of aperture, of shutter release, of lens, but the effect is more casual than determined and the spectator is aware primarily of the determining nature of following sunlight.
Leading Light
Hotel Diaries: Pyraminds/Skunk
John Smith
Hamas have just won the Palestinian elections and a chocolate bar in a Rotterdam hotel room eventually reminds the filmmaker that there are more important things going on in the world outside. Exactly one year later he returns to the same city and checks in at a very different hotel.
Hotel Diaries: Pyramids/Skunk
Gargantuan
John Smith
“London artist John Smith uses light-hearted humour to explore theoretical concerns - Gargantuan, for instance, is both pleasantly silly and acutely conscious of how imagery depends entirely on its framing. A voice-over intones the words ‘huge’ and ‘strapping’ as a lizard almost fills the screen, then ‘medium’ as the camera zooms out, then ‘tiny’, and finally ‘minute’, a pun on the film’s running time.” Fred Camper, Chicago Reader 2001
Gargantuan