Manfred Blank
1949 (75 лет)
Wie will ich lustig lachen: Danièle Huillet und Jean-Marie Straub und ihr Film Klassenverhältnisse
Manfred Blank
Jean-Marie Straub, Danièle Huillet
Filmmaker Manfred Blank (director of the excellent Pharos of Chaos) interviews Danièle Huillet and Jean-Marie Straub at some length about their then-current production, Klassenverhältnisse (Class Relations), in which he, himself, performed as an actor.
How Merrily I Shall Laugh: Danièle Huillet and Jean-Marie Straub on Their Film Class Relations
Leuchtturm des Chaos
Manfred Blank, Wolf-Eckart Bühler
Charles Brauer, Sterling Hayden
A superb, moving and thrilling interview with American actor Sterling Hayden (1916-86), held in Besançon, France, on board a dilapidated barge, when he was 65 years old. An unparalleled portrait, in his own words and without any qualms, of a legendary Hollywood star, icon of film noir and the western, who was also a marine, an OSS agent, an anti-communist informer, a writer and a wandering sailor: the hero of his own life.
Pharos of Chaos
Jean-Marie Straub and Danièle Huillet at Work on a Film Based on Franz Kafka's Amerika
Harun Farocki
Jean-Marie Straub, Danièle Huillet
This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.
Jean-Marie Straub and Danièle Huillet at Work on a Film Based on Franz Kafka’s Amerika
Toute révolution est un coup de dés
Jean-Marie Straub, Danièle Huillet
Helmut Färber, Michel Delahaye
A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.
Every Revolution Is a Throw of the Dice
