Ragnar Kjartansson
1976 (48 лет)The Visitors
Ragnar Kjartansson
Davíð Þór Jónsson, Þorvaldur Gröndal
A celebration of creativity, community, and friendship, The Visitors (2012) documents a 64-minute durational performance Kjartansson staged with some of his closest friends at the romantically dilapidated Rokeby Farm in upstate New York. Each of the nine channels shows a musician or group of musicians, including some of Iceland’s most renowned as well as members of the family that owns Rokeby Farm, performing in a separate space in the storied house and grounds; each wears headphones to hear the others. As the music begins and repeats, individual players stop, start, and move between rooms. Viewed together, the individual videos present an ensemble performance Kjartansson calls a “feminine nihilistic gospel song.” The piece itself sets lyrics from a poem by artist Ásdís Sif Gunnarsdóttir, Ragnar´s ex-wife, to a musical arrangement by the artist and Icelandic musician Davíð Þór Jónsson; the title comes from a 1981 album from Swedish pop band ABBA, meant to be its last.
The Visitors
Sigur Rós: Valtari Film Experiment
Clare Langan, Ryan McGinley
Shia LaBeouf, Denna Thomsen
Sigur Rós have given a dozen film makers the same modest budget and asked them to create whatever comes into their head when they listen to songs from the band's album Valtari. The idea is to bypass the usual artistic approval process and allow people utmost creative freedom. These 16 films are the result. Sad, funny, beautiful and, occasionally, plain bewildering, they represent just some of the available emotional responses to this most contemplative album.
Sigur Rós: Valtari Film Experiment
The Medúlla Videos
lynn fox, Dawn Shadforth
Björk, Nietzsche
Music videos for the album Medúlla. The medúlla videos. A documentary about the making of the "Triumph of a Heart" music video is also included as a bonus feature. Partially a mockumentary, the feature focuses on the auditions for the bar patrons who had to be able to make the noises and sound effects required for the live performance in the music video. The sound effects and noises used in the video were edited for a full remix released on the "Triumph of a Heart" CD single, titled the "Audition Mix". It is currently Björk's only DVD which features subtitles.
The Medúlla Videos
A Lot of Sorrow
Ragnar Kjartansson
Matt Berninger, Aaron Dessner
Icelandic artist and musician Ragnar Kjartansson’s often intensely durational performance-based works manifest a rare synthesis of pathos and humor. A Lot of Sorrow is both a music video and an extended concert film, in which Brooklyn-based band the National performs its three-and-a-half minute ballad “Sorrow” on repeat for six hours. The band’s music and lyrics frequently conjure notions of romantic suffering and melancholy—themes common to Kjartansson’s emotive, theatrical work. As the hours pass and fatigue sets in, the musicians subtly alter their song; the original track is always recognizable but is also shown to be elastic and expressive rather than rigid. Kjartansson is sometimes visible in the role of roadie, offering water and food to the performers throughout the concert. Multiple camera angles grant the viewer access to both the perspective of the musicians and that of the audience, as the band and the crowd feed off each other’s energy with every repetition.
A Lot of Sorrow
Satan Is Real
Ragnar Kjartansson
Ragnar Kjartansson
Kjartansson appears bare-chested and buried waist-deep in a Reykjavik public park. Strumming a guitar, he plaintively sings the line—“Satan is real; he's working for me”—repeatedly for 64 minutes. As he does so, children frolic around him.
Satan Is Real
Mercy
Ragnar Kjartansson
Ragnar Kjartansson
The video Mercy (2005) presents an alt-country ode consisting of a single lyric — "Oh why do I keep on hurting you" — which Kjartansson, standing alone with a guitar, sings over and over in front of the camera like an actor perfecting his role. Now plaintive, now crass, now searching, now pleading, the line takes on a haunting quality not quite undercut by the tune’s tongue-in-cheek twang. The work introduced a recurring motif in the artist’s repertoire: the slick-haired singer, a persona Kjartansson has honed in real life as front man for the synth-heavy Reykjavík rock band Trabant, now on hiatus. The band’s performances — as seen on YouTube, anyway — have been blowout affairs, full of rock ’n’ roll swagger and screaming teenage fans. Mercy was a first step toward connecting this sassy streak with the artist’s maturing explorations of Icelandic identity.
Mercy