Gustavo Fontán
2021Donde cae el sol
Gustavo Fontán
Alfonso De Grazia, Mónica Gazpio
A story between a 65 years old man and a woman who is thirty years younger that him. The film, explores the human relationships through fully identifiable human beings, taking also into account the prejudices, the lust of life and all those everyday defeats.
Donde cae el sol
La casa
Gustavo Fontán
Marcela Fontan, Julio Fontán
In the house where several gererations used to live no one is living anymore At least apparently. Because if any one intensifies hearing and view, he can see He sees the footprints of formers inhabitants. He sees the marks of life and death in the deserted spaces He is the witness of the persistence of voices , bodies, ligths and shadows.
La casa
El limonero real
Gustavo Fontán
Eva Bianco, Germán de Silva
A family gets together for New year. Three sisters and their families who live by the river. One of them does not attend because she is still in mourning. Her sisters and her nieces try to convince her but she remains firm in her refusal.
The Regal Lemon Tree
La deuda
Gustavo Fontán
Belén Blanco, Marcelo Subiotto
Mónica did not make a client's payments of the office where she works. The missing 15K pesos not only commit her but also a colleague, who is the one who discovers the fault. It seems that is not the first time that this happens, but the colleague, despite his anger, kept silence and chose to believe her again: Mónica commits to replenish the sum of money the next morning.
The Debt
Lluvias
Gustavo Fontán
Julio Fontán, Federico Fontán
Between two rains, a film that is offered as a newspaper. Rains. It is night. The rain coils like a snake in the street lanterns. A neighbor, old lady, knocks on my door. It's eleven at night. She is desperate, ask for rivotril. A few days later he dies. Someone leaves their house. Objects are loaded coldly in a truck. The death of a neighbor, a move, the skies laden with clouds, the light on things and faces, the operation of an old man, a night trip ... It rains. The trees shake and tremble underwater. Between two rains, a look at human fragility.
Lluvias
Elegía de abril
Gustavo Fontán
Adriana Aizemberg, Federico Fontán
The poet Salvador Merlino didn’t live to see published April’s elegy, his last book, as he died when it was still in the printing press. His daughter Mary (72) and his son, Carlos (74), kept the parcels of copies of their father’s book stashed away for 50 years, high up, on top of a wardrobe. The curiosity of young Federico will force them to come face to face with themselves.
April elegy
El rostro
Gustavo Fontán
Gustavo Hennekens, María Del Huerto Ghiggi
A man in a small boat reaches an island on the Paraná River. He heads towards a site where there used to be a house or small village. Now there is nothing. Slight signs of something old and lost: the place where he was born. His presence allows the things in the abandoned spot to materialize: huts and tables, animals and canoes. Soon others arrive on the island: his wife, father, friends, and children. This is a meeting of the Man and his loved ones. With the dead, the birds, the river's music and his pain.
The Face
El estanque
Gustavo Fontán
A journey through everyday’s life. Streets, squares, zoos, houses, roofs, men, women, roads, but all of it seen as if that world was someone else's, as if it was lost in time. The world is there, but there is no place to settle. A film that speaks about everyday’s life, but with the voice of the sleepwalkers. Some sort of blind, nocturnal continuum that no one knows for sure what it is.
El estanque
El piso del viento
Gloria Peirano, Gustavo Fontán
Jaime Arrambide, Lucía Dorin
A couple builds a space to live. When it is finished, before inhabiting it, they invite a group of people to visit it. The invited people circulate individually through this new and empty space. They look, they walk, they talk. The film tries to rescue the effect of that experience in each one of them. So the space itself becomes an experience. What will they leave of themselves? What will they take? What will they show of the human? What is a house? What do you do with the past? The series of people who briefly inhabit that place, recently built, still free of all traces, could be thought of as infinite. The space fills and empties. The residual of that transit remains: a luminous fragility.
El piso del viento
Luz de agua
Gustavo Fontán
Daniel Godoy
"Several times a day, for many months, I went out to the terrace of my house to look at the terrace next door, which is the terrace of a nursing home. I went out as soon as I got up and before going to bed, as in a ritual. And soon, over the course of the weeks, I went out several times a day to look at that space, a window between two concrete blocks, a mysterious door, the light on the ceilings." (Gustavo Fontán)
Luz de agua
Jardín de piedra
Gustavo Fontán
"During several months of this senseless year I went out to the terrace to look at the ceilings. I would go at different times of the day, as in a ritual, perhaps trying to find at those ceilings some kind of explanation. Something that mitigates grief." (Gustavo Fontán)
Jardín de piedra
