Antonio García de Diego

Serrat y Sabina: el símbolo y el cuate

Francesc Relea

Joan Manuel Serrat, Joaquín Sabina

Joan Manuel Serrat fled to Mexico when Franco ordered his persecution. In Argentina and Chile, his commitment against military regimes is still remembered. Joaquín Sabina arrived later. His poetry bewitched the audience. In Argentina, he is a tango singer as much as a rocker; in Mexico, the mariachis sing their songs. The former is a symbol, a venerated figure; the latter is a “cuate,” as they say in Mexico, a buddy with whom you can always count.

Isi/Disi - Amor a lo bestia

Chema de la Peña

Santiago Segura, Florentino Fernández

Will love compromise one man's devotion to heavy rock? That's the all-important question behind this broad comedy from Spain. Isi (Santiago Segura) and Disi (Florentino Fernandez) are two best friends who live in a lower middle-class neighborhood near Madrid. Isi and Disi aren't especially bright, but their devotion to heavy metal is complete and unquestioned, and they wouldn't be caught dead listening to a lame pop singer like, say , Joaquin Sabina. However, one day Isi sees Vane (Jaydy Michel), a beautiful girl who attends a nearby college, and immediately falls head over heels in love.

500 noches para una crisis en directo

Joaquín Sabina, Pancho Varona

500 noches para una crisi is the sixth live album of Joaquin Sabina. The concert was recorded live in Luna Park (Argentina) September 20th, 2014 and is composed of the song performed while on tour. This tour was a celebration of the 15th anniversary of the publication of the album 19 dias y 500 noches in 1999.

Miguel Ríos: Rock & Ríos

Miguel Ríos, Mariano Díaz

Joaquín Sabina - 500 noches para una crisis

Joaquín Sabina, Pancho Varona

Serrat & Sabina: dos pájaros contraatacan

Joaquín Sabina, Joan Manuel Serrat

These two birds back to join their voices, between lyric and tear, Serrat and Sabina. During a previous tour viewers could overthrow them both with one shot, but this time that these birds will soar on shotguns. Each with its splendor, with its poison. Joan Manuel Serrat keeps intact the moral, tough, committed contempt of difficult times, but always wrapped in the aura of a joy of living, in favor of simple pleasures, the melancholy of those trams transported to the beaches on Sunday to overcome people and returned to the city only defeated by the sun, with salty lips and burned skin. And among so many words of love Serrat, the hoarse cries of Sabina, both fused, and although the two crossing their songs, one with guitar and the heart will scratch another liver.