Josef A. Stehlík
1909 (117 лет)
Den sedmý – osmá noc
Evald Schorm
Jan Libíček, Josef Bek
An allegory set in an archetypal Czech village, it tells of what happens when a sequence of mysterious events take place, including the disappearance of the stationmaster. While everything has a rational explanation, collective paranoia takes hold and everyone’s worst instincts are released. Interrogations, the abolition of rights and the search for scapegoats ultimately lead to murder
The Seventh Day, the Eighth Night
Princ Bajaja
Antonín Kachlík
Magda Vášáryová, Ivan Palúch
The hero of this popular fairy tale is a young prince who, after the death of his parents, goes out into the world. During his travels he meets a magical talking horse and falls in love with the beautiful princess Slavna. On the advice of his horse, he binds one eye and pretends to be dumb and enters into service as the castle gardener.
Prince Bajaja
My, ztracený holky
Antonín Kachlík
Jaroslava Schallerová, Irena Svárová
Zofie and Dominika, two girls of very different temperaments, become friends during hop-picking volunteer work in the summer. Zofie (Jaroslava Schallerová) is serious to the point of reticence and she is delighted with her friendship with Dominika. For the self-assured and superficial Dominika (Irena Svárová) the whole thing is just a momentary whim. When she leaves the work camp before everybody else, she doesn't even say goodbye to Zofie. The two girls meet again after the holidays as first-year students at medical school, and become close again during the nursing techniques class.
We, the Lost Girls
Causa králík
Jaromil Jireš
Miloš Kopecký, Marie Brožová
In an unusual, apolitical approach, director Jaromil Jires has fashioned a standard drama that features an older lawyer with failing health who goes to practice in the countryside. His series of odd court cases reveals more about the human condition than about law. In one of these litigations a wayward nephew has cheated his elderly aunt out of her savings. In court, the nephew insists the money was a gift, but his aunt explains she only gave him the money as a loan. Although the lawyer technically wins the case, everything of value seems lost in the meantime. His services are paid for in rabbits because the aunt has no currency, and in the end, the nephew cons his aunt into parting with her savings anyway. Other cases expose similar types of petty corruption.
Payment in Kind
Pražský kat
Rudolf Měšťák
Gustav Frištenský, Edmond Trachta
Rudolf Měšťák’s silent film The Prague Executioner, based on the novel of the same name by Josef Svátek, is a historical tale of love, betrayal and revenge. The screening of the restored 35 mm copy, coloured in accordance with the original tinting and toning process, will be accompanied by music from an ensemble headed by musicologist and composer Vlastislav Matoušek.
The Prague Executioner
