
Ahmed Benaissa
1944 (82 года)As a child, Ahmed Benaïssa was fascinated by the religious festivals of Nédroma where he spent his summer holidays and at the age of 9, in Mazouna, he played in front of another kid's 9.5mm camera for 1mn30! The magic of the show leads him to make his own cinema with cardboard. He joined his father in Paris who had retreated there after his release following independence activities in Algeria. In Oise, at the college boarding school, he became a designated projectionist. In 1960-61, he was in Lyon, aged 17, and frequented the local artistic scene at the Théâtre de la Cité. There he attended the Al Capone show, directed by Planchon. It's dazzling.
When Algeria gained independence in 1962, the Lyon consulate included him in an animation course for compatriots from Algeria, then returned to Algeria, to Sidi Bel Abbès, where he entered the conservatory municipal then led by Saïm El Hadj. In July 1964, on a family visit to Algiers, he convinced Bénaïssa Boudia and Mustapha Kateb to join a training course for conservatory graduates at the initiative of the TNA (Algerian National Theater). After six months of training, he was ranked first in each discipline. Its first distribution was under the leadership of Alloula in 1966/67 in Monnaies D’Or. It will be breathtaking there. The TNA sent him to an advanced training course in France, then he moved on to the International Theater Institute. In 1968, he was in the Perennetti and Jean Marie Serreau troupe touring across Europe. Bulimic, he will do café theater and cinema. In 1971, he returned to Algeria, and discovered a theater in decline, emptied of its substance and devoted to propaganda. He distanced himself after three years on stage, and headed towards cinema, then in full development in Algeria.
For ten years, he appeared on the big and small screens. In 1985, he returned to the theater, then in a context of "text crisis" like the country at that time. He became a director, first of a children's theater with a superb Kalila or Dimna. In 1996, he directed the Sidi Bel Abbès Theater, then in a lethargic situation since Kateb Yacine was no longer there. He injects new blood with talented young local artists: Abbar Azzedine, Yahia Benamar, Niddal el Mellouhi and others. He will return to TNA. His most beautiful creation was El Maghara El Mounfajira in 2007 based on La Grotte Éclatée by Yamina Méchakra adapted by Haïder Benhassine. Over two decades, he put on shows where he trained comedians in the acting profession. In the cinema, in France and in Europe, we continue to call on Ahmed for his "mouth", his precision and his talent.
On May 20, 2022 at 4:30 a.m., Ahmed Benaïssa died at the age of 78, in full promotion of the film Goutte d'or at the 2022 Cannes festival, of a pulmonary embolism in his sleep in a hospital in Cannes where he had been evacuated after feeling unwell. He is buried in the El-Alia cemetery in Algiers.
الشيخ بوعمامة
Benamar Bakhti
Athmane Ariouet, Sid Ahmed Agoumi
The story of the film revolves around the epic of Sheikh Bouamama, a leader of the national resistance in Algeria during the French colonial era. The events are taking place in southwestern Algeria. The film also tells about different stages of the resistance, especially about one of the uprisings of the Algerian people, namely "the battle of the sons of Sidi Sheikh Bouamama", in which French General Leuti was appointed to try to suppress and end this resistance.
The Epic of Cheikh Bouamama
Papicha
Mounia Meddour
Lyna Khoudri, Shirine Boutella
Algiers, 1997. The country is in the hands of terrorist groups, seeking to establish an Islamic and archaic state. Women are particularly affected and oppressed by primitive diktas, who seek to take control of their bodies and control their passage through the public space. While a frenzied hunt for women unveiled is launched, Nedjma, a young student passionate about fashion, is determined to federate the girls of her campus to organize a fashion show braving all the forbidden.
Papicha
Gabbla
Tariq Teguia
Kader Affak, Ina Rose Djakou
Algerian filmmaker Tariq Teguia wrote and directed this impressionistic look at a man whose life takes an unexpected turn far away from home. Malek (Abdelkader Affak) is a surveyor from Algeria who is semi-retired, but at the urging of a friend he takes an assignment in Oran. The region in question was the site of frequent battles during Oran's civil war, and an earlier survey that would make it possible to bring electrical utilities to the area was cut short by the fighting. While the zone is still unstable, Malek sets out to complete charting the area, and finds the locals regard him with suspicion and hostility. However, not everyone is disrespectful, and he discovers a young woman (Ines Rose Djakou) who is attracted to him, which leads him to consider abandoning his old life to run away with her. Inland was an official selection at the 2008 Venice Film Festival.
Inland
Sotto Voce
Kamal Kamal
Amal Ayouch, Mohamed Bastaoui
During the Algerian war, the road to Beni Boussaid on the Morocco-Algeria border is obstructed by the Morice line, a 430-mile long belt that is electrified and heavily mined. Moussa, a Moroccan friend of the revolution, helps refugees across the mountains. However, he must go through Beni Boussaid when he finds out that the path he usually takes is no longer safe. Hans, a Communist militant of the GDR, loses a leg on the way, while trying to remove a mine from a passageway. Normally, the wounded and sick are put to rest, but Hans is not a Muslim and cannot be a martyr.
Sotto Voce
Outside the Law
Rachid Bouchareb
Jamel Debbouze, Roschdy Zem
After losing their family home in Algeria in the 1920s, three brothers and their mother are scattered across the globe. Messaoud joins the French army fighting in Indochina; Abdelkader becomes a leader of the Algerian independence movement in France and Saïd moves to Paris to make his fortune in the shady clubs and boxing halls of Pigalle.
Outside the Law
Nuits d'Arabie
Paul Kieffer
Jules Werner, Sabrina Ouazani
Georges's life is turned upside-down when he meets Yamina and decides to help her. While she seems to be persecuted and living in hiding, Georges's reality is rooted in a daily routine without any surprises. Yamina's stories fascinate him: her happy childhood under the rhythm of a song, the massacres in the 1990s in the Great South, as well as her difficulties in Algeria and then in France. Georges spends more and more time with Yamina and is totally disorientated the day she disappears without a word. As his search for her unfolds, Georges realizes that he knows nothing about her and that every person he meets who knew Yamina seems to have a different version of the young woman's life. Convinced that he must go to Algiers to save her, Georges abandons everything and sets out on a journey without any concrete destination. His quest finally leads him to an oasis in the Sahara, a desert that spreads as widely as this love story between Bonnevoie and Tabelbala.
Arabian Nights
Close Enemies
David Oelhoffen
Matthias Schoenaerts, Reda Kateb
Driss and Manuel both grew up on the same council estate. An estate where the sense of belonging to your patch is much stronger than the sense of belonging to a country, a nation or a culture... Manuel has assimilated this belonging, and he has even benefited from it and built his life on it. Driss, meanwhile, has shunned it. They will both have to face up to the consequences of their decisions – because they will each have a price to pay…
Close Enemies
Roma wa la n'touma
Tariq Teguia
Samira Kaddour, Rachid Amrani
For more than ten years a "slow war" has been going on in Algeria: a war without battlefields but with more than 100,000 people killed. It is this wilderness that Zina and Kamel = a young couple bewildered and merry, gloomy and undisturbed - want to traverse one last time, before leaving for somewhere else.
Rome Rather Than You
Ismael's Ghosts
Arnaud Desplechin
Mathieu Amalric, Marion Cotillard
Just as the disheveled and alcoholic filmmaker Ismaël embarks on a difficult new film project, his life is sent into a tailspin. His wife Carlotta, presumed dead for 20 years, come crashing back into his life creating chaos in his work and his current romantic relationship with the starry-eyed astronomer Sylvia.
Ismael's Ghosts