
Lucia Sardo
1952 (73 года)Born Aurora Sardo in Francofonte, Syracuse, Sardo formed at the Teatro di Ventura under Ferruccio Merisi. She made her film debut in the 1992 Aurelio Grimaldi's drama Acla's Descent into Floristella, then she got her first major role two years later, in Grimaldi's The Whores. Her breakout came in 2001, with the role of Felicia, Giuseppe Impastato's mother, in Marco Tullio Giordana's One Hundred Steps; for her performance she was nominated for Nastro d'Argento in the "supporting actress" category.
Description above from the Wikipedia article Lucia Sardo, licensed under CC-BY-SA, full list of contributors on Wikipedia.
One Hundred Steps
Marco Tullio Giordana
Luigi Lo Cascio, Luigi Maria Burruano
Peppino Impastato is a quick-witted lad growing up in 1970s small-town Sicily. Despite living in a family with Mafia ties, one hundred steps away from the house of local boss Tano Badalamenti, Peppino denounces the whole Mafia system by using a small local radio station to broadcast his political pronouncements in the form of ironic humour.
One Hundred Steps
Alone With Her Dreams
Paolo Licata
Tania Bambaci, Lucia Sardo
Set in the late 1960s, the film explores the issues of immigration, community values and family devotion through the eyes of a young girl, Lucia, who is left behind with her grandmother while her parents emigrate to France to find work. Lucia pains to be with her family as she struggles to learn her role in the tiny, traditional village under the watchful guidance of her stern grandmother.
Alone With Her Dreams
Acla's Descent into Floristella
Aurelio Grimaldi
Francesco Cusimano, Tony Sperandeo
Set in Sicily in the 1930's, Aurelio Grimaldi's feature debut chronicles the harsh story of twelve-year-old boy, Aclà, sold into slavery by his destitute parents to work in the underground Floristella sulfur mines. Overworked and underfed, Aclà toils from Monday to Saturday in the steamy, candle-lit labyrinths. Repeatedly beaten and abused by his "owner" and with constant threats of being raped, Aclà plots his escape to the sea...
Acla's Descent into Floristella
The Sicilian Girl
Marco Amenta
Veronica D'Agostino, Marcello Mazzarella
Inspired to a true story, on November 5th 1991, Rita Atria a young 17-year-old Sicilian girl, goes to see an anti-Mafia judge Paolo Borsellino to denounce the Mafia system that was responsible for the murder of her father and her brother. It is the first time that such a young woman from a Mafia family rebels and betrays the Mafia. From that moment on, Rita's days are numbered. She only has nine months to live...
The Sicilian Girl
Nerolio
Aurelio Grimaldi
Marco Cavicchioli, Lucia Sardo
This film depicts three episodes in the life of the highly eccentric, unabashedly homosexual Italian filmmaker Per Paolo Pasolini. Pasolini was best known to Americans for his film The Gospel According to St. Matthew. However, in his native Italy, he was at least as well known for his writing and poetry as for his filmmaking. In the first episode, Pasolini (Marco Cavicchioli) waxes poetic about the beauty of young men during a visit to Sicily. The second and more interesting segment concerns a meeting with a young man who visits Pasolini thinking that though he is an old has-been, Pasolini may be able to do him a favor. Pasolini twigs to the boy's intentions, and a sparring session ensues. The final episode shows him picking up a young man at Rome's train station and the events that led to his beating death in 1975.
Nerolio
Il padre delle spose
Lodovico Gasparini
Lino Banfi, Rosanna Banfi
Riccardo, a southern man of solid principles and good feelings, decides to go and visit his daughter Aurora, who has been living in Barcelona for some time. There, however, a surprise awaits him: Aurora has married a woman. Indignant, Riccardo hastily returns to Italy, determined never to see her again. But perhaps destiny has decided otherwise.
Il padre delle spose
L'amore di Màrja
Anne Riitta Ciccone
Laura Malmivaara, Vincenzo Peluso
In the '70s, young Màrja leads a hippie lifestyle in Finland. During a peace march, she meets Fortunato, a young Sicilian, and falls in love with him. They marry and start a family, happily raising two daughters. However, times become hard and Fortunato suggests they move to his old town, where he can find work easily. Màrja accepts, but she'll have to clash with a close-minded and malicious environment as a foreigner in Southern Italy.
L'amore di Màrja
Callas e Onassis
Giorgio Capitani
Luisa Ranieri, Serena Autieri
Maria Callas, one of the most talented opera singers of her time, seemed to have it all. Coming from humble origins, she always felt slighted by her mother's preference for her sister. She grew up in an unhappy environment, until her career in the operatic world took off. Aristotles Onassis also came from a poor Greek family. His ambition took him places where others dare not go and became a shipping magnate whose great wealth bought his entry into an international society he didn't ever dreamed of entering. These two powerful personalities were so much alike that their own passion served to destroy them.
Callas & Onassis
7 and 8
Valentino Picone, Salvatore Ficarra
Salvatore Ficarra, Valentino Picone
6th January 1975, in an infant nursery in Palermo (Italy), for a mysterious reason, a male nurse exchanges the labels of baby number 7 and 8. Thirty-one years later Tommaso (7) and Daniele (8) meet each other by accident.
7 and 8
Nato a Casal di Principe
Bruno Oliviero
Alessio Lapice, Massimiliano Gallo
In the late 1980s, Amedeo Letizia, a young 20 something Italian, leaves his hometown of Casal di Principe to pursue a career in acting in Rome. While he's making his debut, his younger brother Paolo is kidnapped by armed men. Amedeo comes back, this return being an infernal descent into his past and his region's contradictions.
Nato a Casal di Principe
Più buio di mezzanotte
Sebastiano Riso
Davide Capone, Vincenzo Amato
Davide is different from the other teenagers. Something makes him look like a girl. Davide is fourteen when he runs away from home. His intuition leads him to choose Villa Bellini, a park in Catania, as a refuge. The park is a world in itself, a world of the marginalized, to which the rest of the city turns a blind eye. But one day the past catches up and Davide has to face the most difficult choice, this time alone.
Darker Than Midnight