Magda Vizcaíno
1928 (98 лет)Graduated from INBA and CUT, she was part of the National Theater Company of UNAM, which with the plays Divinas Palabras (dir. Juan Ibáñez) and Olímpica (dir. Héctor Azar) toured various cities in Europe during 1964 and 1965, winning multiple awards. For the play La Ronda de las Arpías (dir. Mercedes de la Cruz, Pablo Leder) she was recognized as Best Supporting Actress in 1991. Throughout her life she has participated in dozens of plays.
On television, her first role was as a storyteller on a program that was broadcast every Sunday on Channel Five. Later she participated in teletheaters, soap operas and educational programs, among which Santa (Miguel Sabido) and Fonda Susilla stand out.
In cinema, she started with films such as Para servir a usted, Maten al león and Los indolentes by José Estrada and Divinas Palabras and A Fuego Lento by Juan Ibáñez. Her voice was immortalized as the narrator of the classic El grito, México 1968, by Leobardo López Arretche. With her performance in Martha, by Marcelino Islas, which debuted at the Venice Critics' Week, she conquered audiences around the world and was recognized in Mexico with the Ariel for Best Actress. In 2019, she starred in Encuentro, by Ivan Löwenberg, becoming one of the eldest actresses ever to portray an LGBT+ character.
El grito
Leobardo López Aretche
Rolando de Castro, Magda Vizcaíno
In the summer of revolt 1968, student Leobardo López Aretche captured the protests in Mexico City, and the state’s brutal response, up close – and like many of his subjects and fellow comrades, would pay a high price for his audacity. Fifty years later, his movie is no longer a secret.
El Grito
Pubertinaje
José Antonio Alcaraz, Luis Urias
Brontis Jodorowsky, Rosa Furman
Three episodes: 1) "A Christmas dinner" where the family members fantasize about being somewhere else. The fetishist father wants to put on feminine clothes. The son longs for another transvestite adventure. The daughter yearns to be a singer and destroy the saints of the church with her voice. The youngest son wants to stab everyone dead. 2) "Game of mirrors". Two young classmates kiss on a picnic, but the girl's brother accuses the couple of being immoral. Bizarre things develop. 3) "Tetrahedron". A very fat man faces his girlfriend's longing for love.
Pubertinaje
Divinas palabras
Juan Ibáñez
Silvia Pinal, Mario Almada
Mari Gaila (Silvia Pinal), is an adulteress who lives between ragged, thieves, prostitutes, dwarfs and other misshapen beings, in a rare box at a country and a vague time. Her husband, is a poor sacristan who agrees with other relatives to do business with the display of his orphaned nephew, a mentally retarded dwarf. Caught in committing adultery with her lover, Mari Gaila is caged naked and punished by the people.
Divinas palabras
Martha
Marcelino Islas Hernández
Magda Vizcaíno, Lety Gómez
Martha is a 75-year old woman who lives alone in a social interest house in the outskirts of Mexico City. Martha decides to end her life. Her thrilling journey towards death, will surprisingly lead her, for the first time, to life.
Martha
Clases de historia
Marcelino Islas Hernández
Verónica Langer, Renata Vaca
Verónica, a middle-aged highschool history teacher, leads a non eventful life: she has grownup children, grandchildren and a less than perfect marriage. This dynamic seems to be the only thing she can hold on to, as she battles a terminal illness. As she reluctantly accepts her fate, she meets Eva, an irreverent and misunderstood new student who unknowingly injects some life and enthusiasm back into her and provides her with the tools to deal with her destiny.
History Lessons
No quiero ser polvo
Ivan Löwenberg
Bego Sainz, Anahí Allue
Bego, a housewife in a mid-life crisis, lives bored and afraid of being inconsequential, however, her life evolves into a mysterious game once she enters into a cult that preaches three days of darkness...
I Don't Want to Be Dust
En el último trago
Jack Zagha Kababie
José Carlos Ruiz, Eduardo Manzano
Three octogenarians set out on a trip in order to fulfill the dying wish of a lifelong friend, in spite of the disapproval of their families and the limitations of their advanced age. Along the way, they find themselves embroiled in a series of comedic misadventures and meet a cast of colorful characters. Their journey fundamentally alters each characters' sense of self and their place in the world. There is, indeed, life after 80.
One for the Road
La caridad
Marcelino Islas Hernández
Verónica Langer, Jaime Garza
Angélica and José Luis have been married for thirty years and they have always lived at the same house; first with their son, Daniel, and now, by themselves. Their daily routine is threatened when José Luis loses a leg in a car accident. When they try to restructure their life, they realize their relation was already fractured and opt for silence. However, they begin a passionate search for all they have lost. José Luis takes refuge in a sexual fantasy about his young nurse, while Angélica tries to remain just as contained as she always has for so many years.
Charity
Half of the World
Jaime Ruiz Ibáñez
Luisa Huertas, Hansel Ramírez
The story is about a young man suffering mental retardation and sexual awakening, poet is charismatic and has the ability to pay attention to those little insignificant details of everyday life. His new status as a lover will bring popularity and with it problems will expose prejudice and false morality of a blinded people to wash their sins charged with the death of the less guilty.
Half of the World
Ciudades Oscuras
Fernando Sariñana
Bruno Bichir, Demián Bichir
Adapted by writer/director Fernando Sariñana from the stories by Juan Madrid, Ciudades Oscuras (Dark Cities) tells a story of interwoven lives in the seedy underbelly of Mexico City. The several different story lines concern hooker Lola (Dolores Heredia); her drug addict son Fede (Diego Luna); her friend Zeze (Zaide Silvia Gutierrez); Zeze's daughter Susana (Jimena Ayala); and junkie Vicente (Roberto Sosa). Also on the scene are two corrupt cops (Alejandro Tommasi and Jesus Ochoa) and one good cop (Odiseo Bichir), while Chicken (Hector Suarez) and Casimiro (Alonso Echanove) each tell their separate stories to the same bartender (Demian Bichir). ~ Andrea LeVasseur, Rovi
Dark Cities
Salón México
José Luis García Agraz
Magda Vizcaíno, Demián Bichir
In this remake of the 40's classic, two lovers murder each other, leading to an investigation and the closing of the Saln Mxico, a famous place where people used to go to dance before WWII. The police investigation leads to several flashbacks about the life and death of a low-life dancer named Mercedes (Maria Rojo) and her lover.
Salón México
