Franco Bernini
2021Di me cosa ne sai
Valerio Jalongo
Roberto Andò, Francesca Archibugi
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
What Do You Know About Me
Vivere
Franco Bernini
Marco Paolini, Toni Bertorelli
War and love. tears and laughter, the worst and the best that can happen to someone - in brief, life, in Rome, ruled by the Nazis, in 1943. The man in question is called Vittorio, Vittorio De Sica. Easy to speak well of him now, but then he was just a 'comedian', an actor without future, protégé of no-one: someone who could count only on himself and his own imagination. And, one day, a German patrol turns up on the movie set where he is working. They are looking for him, find him and take him away, to their commander who wants a word with him. Goebbels in person has written to him, sending him a request which is an order. De Sica is trapped, but...
Vivere
Le mani forti
Franco Bernini
Francesca Neri, Claudio Amendola
This tense thriller begins in the office of Claudia, a psychoanalyst whose sister was killed in a terrorist attack. Her newest client is Tancredi. He says that he is a journalist and that he suffers from having witnessed numerous atrocities in Bosnia. The events he describes sound just like those of Brescia, and Claudia, who still grieves for her sister, begins to wonder if Tancredi is telling the truth. Her investigation proves that he is lying, but it leads her to wonder why he has chosen her as his psychoanalyst. After talking to her husband, Claudia visits her old mentor who suggests she continue working with Tancredi but warns her not to call in the police. After that the story frequently jumps to 1998. By then Claudia and her newborn baby have become part of the witness protection program and she is preparing to testify against those involved in covering up government-sponsored terrorist activity.
Strong Arms
