Parviz Kimiavi
2021Kimiavi studied photography and film at l'École Louis Lumière (Louis Lumiere School of Cinematography) and IDHEC. His works gained critical success and won several prizes in important international events such as Berlin and Cannes.
پ مثل پلیکان
Parviz Kimiavi
Mohammad Jazayeri Tabas
An old hermit lives in a slum and wants to teach the alphabet to the children who regularly go there to play. When a child proposes he use the word “Pelican” for the letter ‘P’, the hermit goes to the nearby park to see this animal he has never heard of.
P for Pelican
Razor's Edge: The Legacy of Iranian Actresses
Bahman Maghsoudlou
Shohreh Aghdashloo, Katayun Amir Ebrahimi
An examination of the work and lives of actresses in the Iranian film industry prior to the 1979 revolution, featuring myriad interviews and rare film clips.
Razor's Edge: The Legacy of Iranian Actresses
O.K. Mister
Parviz Kimiavi
Erika Maaz, Farrokh Ghaffari
In a remote village in the "land of roses and nightingales" one day surfaces a stranger: William Knox D'Arcy. To enact his plan for exploiting the wealth and the natural resources of this land, he sends after his cronies who descend upon the village in a big balloon. Among them is Cindrella a lady of electrifying beauty who is enlisted to keep the illiterate and lecherous villagers under her charm and make them follow D'Arcy's plans...
O.K. Mister
مغولها
Parviz Kimiavi
Fahimeh Rastegar, Parviz Kimiavi
A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province, near the Afghanistan border. He has already hired Turkoman tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diagetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.
The Mongols
The Old Man and his Garden of Stones
Parviz Kimiavi
30 years after their first encounter, Kimiavi goes to find Dervish Khan Esfandiarpur again to witness the persistency of his ‘surreal’ behaviour through time. The dervish dancer may have become an old man but his garden and rituals all remain…
The Old Man and his Garden of Stones
