Kazuhiro Sano
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爛熟性戯うずく
Kazuhiro Sano
Kazuhiro Sano, Kanako Kishi
A sequel to "Destroy the Evil", it follows the protagonist of the previous film, who is pursued by the yakuza and moves to a rural town in Chiba. The story concludes with a tragic ending, but as the title "Keep running, keep running!" At the end of the film, there is an image shot of the protagonists who continue to run, as the title suggests, and this is a strong statement to the director himself and to the audience.
Ripe Sex Play: Tingle
女子学生 集団暴行事件
Kazuo 'Gaira' Komizu
Yuka Asagiri, Kayoko Sugi
When the '70s ended the anger of young people rose, differences in social values occurred between adults and young people, and the word "generation" began to be widespread among the young people.,The film depicts a group of young men and women who are forced to flee their homes after committing a murder. The screenplay is written by Wataru Hino (a pseudonym of Atsushi Yamatoya), wherein he asks whether these young people are sick or sensible.
Joshigakusei: shūdan bōkōjiken
CREEP
Kou Sakai
Toshiki Hirose, Eriko Hatsune
Kohei and Akira are a couple running away together without a destination. They meet a geology researcher namend Shiraki on the way and the three visit a log cabin of a famous geologist Kanbe. With fortune teller Eiko, ex-girlfriend of Kanbe, joining the party, five people of diverse ages, sexes, statutes, and professions happen to spend a night together in the log cabin deep in the mountains. As the strangers get to know each other and grow closer, each one of their hidden pasts is brought to light. Meanwhile, following a thunderstorm and an earthquake, something even worse is approaching them...
CREEP
サヨナラ家族
Kôhei Sanada
Hoshi Ishida, Toshie Negishi
During the one-year memorial of his late beloved father, a soon-to-be father (Hoshi Ishida) struggles to reconcile his feelings of loss and receives support from his mother, sister and wife. -JAPAN CUTS: Festival of New Japanese Film
Farewell Family
Mibôjin: mofuku no modae
Takahisa Zeze
Kazuhiro Sano, Yuri Ishihara
The film depicts Nagatoshi, a monk, who is mistaken for the reincarnation of a hero in a small mountain village who looks exactly like him, and who rebels against the government together with the farmers. Unlike its predecessor, which was a period drama in style, this film is more contemporary, incorporating issues such as corruption at a general contractor. The dynamism of the farmers' revolt, with its mass mobilization of extras, is also a highlight of the film.
Widow: Bliss in a Mourning Dress
Eros no shitatari
Toshiki Sato
Shihori Nagasaka, Hotaru Hazuki
Ito, a film director with no money and no woman, is agonizing every night over a violent love affair he hears from a neighbor who has recently moved in. One day, his neighbor, Honda, comes to visit Ito. He had apparently eloped with the daughter of a yakuza and was asking Ito to hide her for him. Ito tried to say no to the dangerous offer, but the 300,000 yen was too much to resist, and he ended up accepting the offer...
Eros no shitatari
発情不倫妻
Kazuhiro Sano
Kazuhiro Sano, Kanako Kishi
After his wife and child committed suicide, Sasaki was so shocked that he quit his job and has been living a modest life painting. Then, by chance, he meets up with an old colleague and heads to the home of his colleague's wife, Sachiko, who is waiting for him. In fact, Sachiko and Sasaki have been having an affair for a long time, and that day they have sex next to their colleague as he sleeps. Sasaki also begins to have a physical relationship with Sachiko's younger sister.
Promiscuous Wife in Heat
錆びた缶空
Yoshihiko Matsui
Mitsuhiko Akita, Saburo Tamura
Matsui's debut film, "Rusty Empty Can" (1979), was photographed by Sogo Ishii; nonetheless the film turned out to be a serious and emotionally painful one unlike Ishii's speedy roller-coaster movies. The film which depicts a homosexual relationship was successful at the many film festival held in Japan, including selection at the 1979 Pia Film Festival. "Rusty Empty Can" is still shown at theatres today as it has become the pioneer of cult movies with devoted fans and approval from Nagisa Oshima and Shuji Terayama.
Rusty Empty Can
