Kohei Ando
2021
アインシュタインは黄昏の向こうからやってくる
Kohei Ando
Shigeru Yazaki, Midori Hagio
He pulls out a pair of scissors that tends toward the sky. So begins his journey through time, space and memory. Seasons change, years pass. Wrapped in a mysterious box of sunset, the boy grows older, becomes adolescent, young man, adult, old, but - strangely - the memories are beginning to lead their own lives. "What memory, what reverie, what is real and what is imaginary? I do not know ... "
On the Far Side of Twilight
Oh! My Mother
Kohei Ando
Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."
Oh! My Mother
草之丞の話
Kohei Ando
Futaro, now 14 years old, is an only boy. His mother, an actress, raised him on her own. She herself is innocent, just like a child. It seems almost incredible to Futaro that she was brought him up by her self. One day, in the garden, Futaro seems a man dressed like a samurai. He must be one of mother’s actor friends, Futaro thinks, but then he resembles Futaro’s father. The stranger is called Kusanojo. He was a true samurai and now he is a true ghost. Strangely, Kusanojo seems to have forgotten the fact that he is a ghost. A strange life of 3 people with Futaro, his mother and his father who is a ghost starts.
A Story About Kusanojo
Like A Passing Train 2
Kohei Ando
Time. In HUNDRED YEARS OF SOLITUDE, Gabriel Garcia Marquez describes a long process a year it takes to cross a railway station. The film consists of an image of a train crossing a bush in the garden Ando. The film was shot from the same angle fixed for six months, through the seasons.
Like A Passing Train 2
My collections
Kohei Ando
Memory and reincarnation. The catalog and the anthology is an essential aspect of the art of Ando. His memories are assembled an oblique self-portrait. Ando explores his room and admits that he loves the goods correspond to an image of himself. He suggests that the objects once owned turn. They are associated with memories, and can be juxtaposed.
My collections
Like A Passing Train 1
Kohei Ando
Space. Inspired by photographs of Winston Link (Night Trick), this film is composed of images of trains passing by a house. Trains are seen from inside the house in a variety of viewing angles. The film lists all possible perspectives on the passing train and becomes a metaphor of cinema.
Like A Passing Train 1
