Haruko Sugimura
1909 - 1997Haruko Sugimura (杉村 春子 Sugimura Haruko, January 6, 1909 – April 4, 1997) was a Japanese stage and film actress, best known for her appearances in the movies of Yasujiro Ozu and Mikio Naruse from the late 1940s to the early 1960s. In the West, her most famous role was that of Shige, the elderly couple's hairdresser daughter in Ozu's Tokyo Story (1953).
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Red Beard
Akira Kurosawa
Toshirō Mifune, Yûzô Kayama
Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.
Red Beard
若い人
Kon Ichikawa
Hiroshi Nihon'yanagi, Ryō Ikebe
MAZAKI Shintaro is a teacher at a mission school, in a relationship with the English teacher Sumi HASHIMOTO. Young, single and handsome MAZAKI is popular among the women, One day, after reading somethiing unusual in the essay of a third...v
Forbidden Path
晩春
Yasujirō Ozu
Chishū Ryū, Setsuko Hara
Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.
Late Spring
東京物語
Yasujirō Ozu
Chishū Ryū, Chieko Higashiyama
The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.
Tokyo Story
Kwaidan
Masaki Kobayashi
Michiyo Aratama, Misako Watanabe
Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.
Kwaidan
お早よう
Yasujirō Ozu
Keiji Sada, Yoshiko Kuga
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Good Morning
金の卵
Yasuki Chiba
Toshirō Mifune, Rentaro Mikuni
Once an average and seemingly ordinary Tokyo girl, she suddenly finds herself as a TV star owing to her discovery by a casting company, which noticed photographs that her cousin had sent. When another actress falls ill she is given the role instead. Her first film is a success propelling the young actress to popularity, her own fans, money and a house. While everything looks dandy from the outside not all is well within the family however.
Kin no tamago: Golden girl
流れる
Mikio Naruse
Kinuyo Tanaka, Isuzu Yamada
Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.
Flowing
