Li Shaohong
1955 (69 лет)血色清晨
Li Shaohong
Zhaohui Gong, Yajie Hu
Freely adapted from Gabriel García Márquez's Chronicle of a Death Foretold, the film follows the investigation of a local teacher's murder in a small and desperately poor rural village, the story of the crime gradually pieced together from the fragmented memories of witnesses forced to testify at an inquest. Sharing with her Fifth Generation colleagues Chen Kaige and Tian Zhuangzhuang a remarkable eye for the barren landscapes of northern China and a fascination with small-town life — especially those enduring superstitions that Communism failed to erase — director Li Shaohong also introduces several formal innovations, particularly in storytelling structure, that remain unprecedented in Chinese cinema.
Bloody Morning
红西服
Li Shaohong
Song Dandan, Wang Xueqi
Modern-day urban problems like unemployment and teenage depression come under the microscope. Husband and wife lose their jobs, and their daughter is under considerable stress studying for her college exams. Meanwhile, grandmother is having an unexpected romantic liaison. Will the family be able to pull together to solve their problems?
The Red Suit
四十不惑
Li Shaohong
Song Dandan, Li Xuejian
After laying bare backward village mentalities in Bloody Morning, Li Shaohong turns her attention to China’s urban middle class. Cao is a photographer, married to an opera singer and with an infant son, caught in the usual professional morass of political compromise. His life starts to fall apart when he learns that his ex-wife also bore him a son some months after their divorce – and when the boy turns up looking for his father. Nothing wildly dramatic, just believable people in believable situations. If the ending seems a touch forced, this is nevertheless a sign that ‘Fifth Generation’ cinema is changing and coming to terms with up-to-date realities.
Family Portrait
生死劫
Li Shaohong
Zhou Xun, Wu Jun
When Yan'ni starts college she believes she is embarking on a new life away from her family, and she is, but not the new beginning she anticipates. Once at school, she immediately meets Muyu and falls in love with him. What she does not know is that from the moment he met her Muyu began an intricate deception that will lead to the loss of her child and the future she believes in.
Stolen Life
世间有她
Sylvia Chang, Li Shaohong
Zhou Xun, Jackson Yee
The background of "Hero" is set in 2020: a sudden disaster that disrupted everyone's lives. When society face unemployment when families fall apart, when lovers are separated, when death is approaching quietly, and when a peaceful life suddenly undergoes unexpected changes, how will women respond? What are the vital and irreplaceable roles that men play in women’s lives and growth? The three female directors Zhang Aijia, Li Shaohong and Chen Chong used their unique female perspectives to explore and show people's plights and struggles in family, career, and love in special times.
Hero
