Pope Pius XII
1876 - 1958Hesburgh
Patrick Creadon
Maurice LaMarche, Ted Koppel
He counseled presidents and popes, served on corporate boards and infuriated Richard Nixon. He was one of the only friends to whom Ann Landers turned for advice. During his 35 years as president of the University of Notre Dame, Theodore Hesburgh became one of the most influential and inspiring people of the 20th century.
Hesburgh
Genocide
Arnold Schwartzman
Elizabeth Taylor, Orson Welles
The mass murder of Jewish people by the Nazi regime is chronicled, with a warning that anti-Semitism is on the rise and the events of the Holocaust could happen again. The history of European Jewish culture and events before and during the Holocaust are seen in newsreels, photographs, and animated segments. The words of the victims of the era are read, and footage from the liberation os a concentration camp is shown.
Genocide
El Misterio del Padre Pío
José María Zavala
Pope John XXIII, Pope Paul VI
The documentary offers testimonies and documents never disclosed about the plot against its protagonist, who had the stigmata of Jesus Christ in his hands, feet and side for 50 consecutive years.
The Mystery of Padre Pio
The Man Nobody Knew: In Search of My Father, CIA Spymaster William Colby
Carl Colby
William Colby, Zbigniew Brzezinski
A personal exploration into the life of America's controversial former CIA Director told through the eyes of his wife and filmmaker son, Carl. Through extraordinary events in twentieth century history, this consummate soldier/spy stood at the center of the Agency's most clandestine activities and operations. The film reveals the 'cover life' of this CIA operative, who followed orders and took on the dirtiest assignments until the Nixon Administration ordered him to 'stonewall' Congress about the CIA's past abuses, but he refused. This film reveals why, for the first time, he could not obey.
The Man Nobody Knew: In Search of My Father, CIA Spymaster William Colby
La rabbia
Giovanni Guareschi, Pier Paolo Pasolini
Giorgio Bassani, Renato Guttuso
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.
La Rabbia
Cinecittà, de Mussolini à la Dolce Vita
Emmanuelle Nobécourt
Chloé Réjon, Benito Mussolini
Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.
Cinecittà, de Mussolini à la Dolce Vita
