Eric De Kuyper
1942 (82 года)
Nono, the Zigzag Kid
Vincent Bal
Thomas Simon, Fedja van Huêt
Nono, a Dutch kid lacking two days being thirteen, runs away from problems at home and, disguised as a girl, takes up with the world's cleverest thief, who unbeknownst to Nono, may hold the bizarre key to his true identity.
The Zigzag Kid
Pink Ulysses
Eric De Kuyper
José Teunissen, Jos Ijland
An actor prepares, removing his shirt to iron it. All shirts stay off. In a mix of black and white, colour, and old film clips, a homoerotic odyssey begins. Troy is sacked, and Odysseus starts his languorous journey back to Penelope and Telemachos, who wait in Ithaca. Odysseus dreams: young well-muscled men roll on sheets, hands remove flowers to disclose a sculpted torso. The ship tosses Odysseus; gobs sleep in hammocks; a storm beats down and a life boat seeks a strand. Circe, disguised as Penelope, seduces Odysseus; he stays with her for seven years. In Ithaca, Penelope and her suitors are impatient. Will Odysseus arrive before the film crew breaks for lunch?
Pink Ulysses
A Strange Love Affair
Eric De Kuyper, Paul Verstaten
Howard Hensel, Lieke Leo
Film professor Michael falls in love with one of his students and is confronted with his pupil's father, with whom he had an affair over 15 years ago. This unexpected meeting abruptly overturns the lives of all the characters. When the tutor decides to undertake a planned trip to London, not with the son but with the father, he is once again forced to choose; this time between his wife and his friend.
A Strange Love Affair
Echte Clichés
Eric De Kuyper
In the early 90s, a Dutch dance company, ‘t Concern, asked me to join its members in devising a show. They came to me as a filmmaker, because the aim was to come up with a dance-performance that would include moving images. The company consisted of five female dancers and one male dancer. This unusual combination led me to suggest basing the show on the archetypal 1950s housewife and her everyday chores. And setting this against the ballet music of Delibes, Čajkovskij and Glazunov. (I had an aunt who had never been a ballet dancer but who listened to ballet music as she went about doing her housework). The idea was to match each professional female dancer with a non-professional male dancer. The only surviving trace of this show remains its 16mm entr’actes, shown here under the title Echte clichés. Does not every cliché contain a grain of truth to be rediscovered?
Echte Clichés