Liwen Ma
2021我们俩
Liwen Ma
Gong Zhe, Shufang Zhang
Xiaoma, a young woman who has recently moved to Beijing, finds an apartment in an old courtyard apartment complex owned by Grandma, an elderly woman. Xiaoma and Grandma’s relationship almost immediately becomes strained. After trying to tidy up the courtyard, Grandma insists that Xiaoma turn over her share of the profits. Tightfisted, the elderly landlady resists even allowing Xiaoma to install a telephone. At the same time the older woman becomes increasingly interested in Xiaoma’s personal (and romantic) life. Grandma, for example, tries to pass off her grandson to the younger woman. Annoyed, Xiaoma nevertheless is flattered at the older woman’s concern. Over the course of four seasons, Xiaoma begins to learn from her landlady of the old world that the modern city of Beijing has left behind, while Grandma begins to enjoy the youth and vitality of her tenant. The two women become closer and eventually develop a deep friendship.
You and Me
世界上最疼我的那个人去了
Liwen Ma
Siqin Gaowa, Suying Huang
Female writer Ho (Siqin Gaowa) has just published her new book and is busy with various promotional events. While immersing herself in her successful career, Ho squeezes some time to visit her 80-year-old mother on her way home. When she arrives at the doorstep, however, Ho discovers that her mother's eyesight has deteriorated to the point that she does not recognize her daughter, and the sense of guilt sets off to overwhelm Ho...
Gone Is the One Who Held Me the Dearest in the World
樱桃
Zhang Jiabei
Miao Pu, Guoquan Tuo
Set in the village of Aicun, Yunnan province, pic begins in the early '80s, with poor, lame farmer Ge Wang (Tuo Guoquan) pressured by his family to marry the mentally and emotionally stunted Cherry (Miao Pu). Ge weds the unkempt but harmless woman, who spends most of her time chasing children and offering them the fruit that is her namesake. Once married, the shamelessly sexual and embarrassingly naive Cherry shows an insatiable desire to have her own child. Fate intervenes in the second act when Cherry finds an abandoned baby girl in the woods. Though the sprig, named Scarlet, comes complete with a handful of bank notes, Ge panics, thinking he can't afford to raise a child, and reacts in callous fashion. Final section puts a pre-pubescent Scarlet (Long Li) centerstage as she deals with the stigma of having a mentally handicapped mother whose affection is both infinite and frequently inappropriate.
Cherries
