Leo Hurwitz

An Essay on Death: A Memorial to John F. Kennedy

Leo Hurwitz

In 1964, National Educational Television decided to make a program as a memorial to President Kennedy. Since he had been assassinated just a year before, it seemed unnecessary to recite the events of his death again. Executive Producer, Brice Howard, discussed with Hurwitz the possibility of making a film for television that, instead of engaging the assassination head on, would deal with the inevitablity of mortality and its trauma. Essay On Death uses a story of a camping trip by a father and son to weave the thoughts about death that intercede in our everyday affairs. The commentary is made up of writings, ancient and modern, on the life and death. Beautifully realized, it succeeds at a task that mainstream television rarely attempts.

The Museum and the Fury

Peggy Lawson, Leo Hurwitz

Josephine Kirk

From the perspective of the Auschwitz-Birkenau State Museum, documentary material, amongst this the freeing of the camp and the Nuremberg Trials with clips from films which were produced shortly after the war, and pictures of museum visitors are assembled into an essay about memory.

Dialogue with a Woman Departed

Leo Hurwitz

Peggy Lawson, Leo Hurwitz

A documentary about the film-maker's wife and co-worker, Peggy Lawson, who died in 1971.

Here at the Water's Edge

Charles Pratt, Leo Hurwitz

Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.

In Search of Hart Crane

Leo Hurwitz

Gary Merrill

Produced and directed by Hurwitz for National Educational Television (precursor of PBS), Hurwitz uses biographer and Columbia professor, John Unterecker, to help him look for the poet, Hart Crane, in his work and in the memories of many of his contemporaries. In Search of Hart Crane, 1966, is one of the very first interview-driven documentaries and is still a masterpiece of the literary documentary film.

Strange Victory

Leo Hurwitz

Alfred Drake, Muriel Smith

Strange Victory" is about racial bias in post World War II America. Following "Native Land" in Leo Hurwitz' filmography, it uses some of the same techniques: dramatized scenes interspersed with scenes of compilation news reel footage, and scenes of evocative imagery.

Strand, Under the Dark Cloth

John Walker

Blanche Brown, Milton Brown

Although his influence on the history of photography has been nothing short of profound, Paul Strand (1890-1976) remains a curiously shrouded and paradoxical figure. While passionately devoted to humanity, he was happiest in the isolation of the dark room. A pioneer filmmaker (Manhatta, Native Land, Heart of Spain, The Wave), he found the process of collaboration painful. Strand established himself in New York in the 1920's as a master of light and structure, with his now famous photo of Wall Street inspired by the forms and movement of European modernist painters such as Matisse and Picasso. His closeup portraits and landscapes were equally profound. John Walker's Strand.

The Sun and Richard Lippold

Leo Hurwitz

Documentary examining the work of sculptor Richard Lippold, particular his sculpture of the sun at the Metropolitan Museum of Art.

Native Land

Leo Hurwitz, Paul Strand

Paul Robeson, Fred Johnson

By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.

Leo T. Hurwitz: Filme für ein anderes Amerika

Wolf-Eckart Bühler

Leo Hurwitz

Documentary about American filmmaker Leo Hurwitz.

Detroit Workers News Special 1932: Ford Massacre

Leo Hurwitz

The only known film record of the mass march and meeting held in Detroit on Feb. 4, 1932, against hunger and unemployment. Also shows the dramatic demonstration by workers at the Ford auto plant in River Rouge, Michigan in March of 1932, which ended with a violent attack by Dearborn police and Ford Company guards on the crowd with clubs, tear gas and guns which killed four young men. These deaths set off a wave of protest across the country.

For Life, Against the War

Betty Ferguson, Peggy Lawson

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival Week of the Angry Arts, the epic compilation film incorporated minute-long segments which were sent from many corners of the country, spliced together and projected. The original presentation of the works was more of an open forum with no curation or selection, and in 2000 Anthology Film Archives preserved a print featuring around 40 films from over 60 submissions.

Hunger: The National Hunger March to Washington, 1932

Leo Hurwitz

A document of the 1932 national hunger march on Washington produced by the Workers Film and Photo League.

Bonus March 1932

Leo Hurwitz

Bonus March shows unemployed WWI veterans marching on Washington, D.C., demanding their bonus money, and being forcefully evicted.

America Today

Leo Hurwitz

One of the key works in creating the American social documentary film, this 1934 newsreel compilation crams a lot of information into just 11 minutes. Skillfully edited, the picture captures a panorama of international events centered on the labor movement. Scenes include Mussolini, Hitler and FDR preparing for war, Nazi soldiers persecuting German Jews, a political strike in Paris, the Scottsboro demonstration in Washington, DC, police violence against striking steelworkers in Pennsylvania and union members stopping scab workers from delivering milk during a dairy farmers strike in Wisconsin. Under the direction of pioneering documentarian Leo Hurwitz, the images are edited together to create a powerful image of a world that, in his view, desperately needed radical change.

The Young Fighter

Leo Hurwitz

Directed by Hurwitz for the CBS Omnibus program, The Young Fighter is a moving portrait of a young boxer who faces key life decisions as he tries to balance his responsibilities to his family and to his sport. The film played an important role in the history of the documentary. It is the very first broadcast example of the technique that came to be known as cinema vérité.