
Rob Feulner
2021Cable Box
Rob Feulner
Taking place in an unspecified year in the early 1990s, a night of mindless television channel flipping is slowly interrupted and overtaken by a pirate television signal. A flood of colours emanating from video feedback, warring tribes displayed through a modified oscilloscope, and a flurry of gun violence repeated via luminance keying dominate stations one by one. Abstract imagery through analog video glitch techniques forewarn the passive television viewer that the far-right American political system to come will not be the result of a sudden shift. Instead we will see a rise of increasingly conservative policies followed by a moulding of public perception by broadcast television.
Cable Box
Faces of Emmanuelle
Rob Feulner
An exploration of the VHS medium and the subterranean trash which thrived in it. Using source material from Emmanuelle 6, this DVD-R/VHS further blurs the line between low and high art. Beautiful cinematography coupled with smut. Strategic pauses and tracking errors guides the viewer to discover the true depth and sadness of the seemingly one-dimensional Emmanuelle. Soaring arpeggio synths and pulsating rhythms by Rob Feulner. The utter destruction of arguably the most beautiful film never seen, lost and forgotten on the shelf of your local video store, behind the cowboy doors or dangling beads. Written off as pornography by most, written off as too soft by creeps. This is the plight of Emmanuelle.
Faces of Emmanuelle
Carmen
Rob Feulner
"Originally an audio collaboration with Mitchell Stafiej, then transformed into a solo A/V performance for Télépresence II (2018, NYC), 'Carmen' is the story of a woman whose separation from her loved ones is heard through telephone wires. Dedicated to my mom." —Rob Feulner
Carmen
Puerto Rico Tautology (14 dubs high)
Rob Feulner
Inspired by the mass exodus and economic debt of Puerto Rico, footage of Puerto Ricans attending a Fania All-Stars performance is dubbed to VHS. That VHS is dubbed to another VHS, and is done so until the image and sound deteriorates and hedge funds bleed the island dry.
Puerto Rico Tautology (14 dubs high)
The Burning Desire in a Dollar Bill
Rob Feulner
The Burning Desire in a Dollar Bill shows how the special interests of media conglomerates and their parent companies mould our latent desires at a young age, later leaving us confused as to whether we are lusting after the sexually charged imagery or the products being advertised. The film argues that the act of purchasing is the strongest aphrodisiac in a capitalist society, leaving open the possibility that a solution to toppling capitalism is to shift our sexual desires from consumerism to personal freedom from the state. The film was created during a residency at Signal Culture using a modified Paik-Abe Raster Manipulation Unit. A running VHS tape was manipulated using a voltage-controlled eurorack modular synthesizer, allowing the object of desire to be distorted, picked apart, and reveal its true form of capitalist allure.
The Burning Desire in a Dollar Bill