Robert Mapplethorpe
2021
Mapplethorpe: Look at the Pictures
Randy Barbato, Fenton Bailey
Robert Mapplethorpe, Patti Smith
Nude men in rubber suits, close-ups of erections, objects shoved in the most intimate of places—these are photographs taken by Robert Mapplethorpe, known by many as the most controversial photographer of the twentieth century. Openly gay, Mapplethorpe took images of male sex, nudity, and fetish to extremes that resulted in his work still being labelled by some as pornography masquerading as art. But less talked about are the more serene, yet striking portraits of flowers, sculptures, and perfectly framed human forms that are equally pioneering and powerful.
Mapplethorpe: Look at the Pictures
Robert Having His Nipple Pierced
Sandy Daley
David Croland, Robert Mapplethorpe
Robert Mapplethorpe gets his nipple pierced while his boyfriend lends his support in person. Patti Smith lends her support via voice over as she rambles on about her childhood, her transvestite brother, her breasts and Bob Dylan?
Robert Having His Nipple Pierced
Black White + Gray: A Portrait of Sam Wagstaff and Robert Mapplethorpe
James Crump
Pierre Apraxine, Dick Cavett
Crump directed the feature-length documentary film Black White + Gray: A Portrait of Sam Wagstaff + Robert Mapplethorpe, which premiered in North America at the 2007 Tribeca Film Festival and in Europe at Art Basel. It explores the influence curator Sam Wagstaff, photographer Robert Mapplethorpe and musician/poet Patti Smith had on the 1970s art scene in New York City.
Black White + Gray: A Portrait of Sam Wagstaff and Robert Mapplethorpe
No. 18: Mahagonny
Harry Smith
Patti Smith, Allen Ginsberg
Harry Smith’s final film; an epic four-screen projection. Smith worked on this cinematic transformation of Kurt Weill and Bertolt Brecht’s opera Rise and Fall of the City of Mahagonny (1929) for over ten years and considered it his magnum opus. The film was shot from 1970 to 1972 and edited for the next eight years. The “program” of the film is meticulous, with a complex structure and order. The Weill opera is transformed into a numerological and symbolic system. Images in the film are divided into categories— portraits, animation, symbols and nature— to form the palindrome P.A.S.A.N.A.S.A.P. The film contains invaluable cameos of important avant-garde figures such as Allen Ginsberg, Patti Smith, and Jonas Mekas, intercut with installation pieces from Robert Mapplethorpe’s studio, New York City landmarks of the era, and Smith’s visionary animation.
No. 18: Mahagonny