Olof Ås
2021Körkarlen
Victor Sjöström
Victor Sjöström, Hilda Borgström
It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom Chariot, that picks up the souls of the dead.
The Phantom Carriage
Terje Vigen
Victor Sjöström
Victor Sjöström, Bergliot Husberg
Terje Vigen, a sailor, suffers the loss of his family through the inflexibility of another man. Years later, when his enemy's family finds itself dependent on his benevolence, Terje must decide whether to avenge himself.
A Man There Was
Berg-Ejvind och hans hustru
Victor Sjöström
Victor Sjöström, Edith Erastoff
A stranger comes to work at widow Halla's farm. Halla and the stranger fall in love, but when he is revealed as Eyvind, an escaped thief forced into crime by his family's starvation, they flee and become two of the many outlaws of Iceland's mountains.
The Outlaw and His Wife
Eld ombord
Victor Sjöström
Jenny Hasselqvist, Matheson Lang
A naval adventure that focuses on the rivalry among the crew, particularly the indignation wrought by the behavior of inplacable Captain Steen. Dick, one of the sailors, is one of the most rebellious and draws up plans to exact vengeance. The opportunity arises, but an incident that may sink the ship changes the focus of attention. The lighting for the film and the composition of the scenes are regarded as the highlights of the movie.
The Hell Ship
Vem dömer
Victor Sjöström
Jenny Hasselqvist, Ivan Hedqvist
At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”
Love's Crucible
Tösen från Stormyrtorpet
Victor Sjöström
Greta Almroth, Nils Aréhn
A 1917 Swedish drama film directed by Victor Sjöström, based on a 1913 novel by Selma Lagerlöf. It was the first in a series of successful Lagerlöf adaptions by Sjöström, made possible by a deal between Lagerlöf and A-B Svenska Biografteatern (later AB Svensk Filmindustri) to adapt at least one Lagerlöf novel each year. Lagerlöf had for many years denied any proposal to let her novels be adapted for film, but after seeing Sjöström's Terje Vigen she finally decided to give her allowance.
The Girl from the Marsh Croft
Hans nåds testamente
Victor Sjöström
Carl Browallius, Greta Almroth
A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.
His Lord's Will
Karin Ingmarsdotter
Victor Sjöström
Tora Teje, Victor Sjöström
Karin Daughter of Ingmar is a 1920 Swedish silent drama film directed by Victor Sjöström. It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception was however unenthusiastic and Sjöström decided to not direct any more parts.
Karin, Daughter of Ingmar
Thomas Graals bästa barn
Mauritz Stiller
Victor Sjöström, Karin Molander
Frau Bessie, once a madcap, aristocratic and modern Swedish fraulein, has become now a whimsical and conservative Swedish burgess after her marriage to Herr Thomas Graal. The destabilization of the marriage begins right at the wedding (which contains some hilarious incidents) when Frau Bessie announces the first Graal child must be a girl, creating a terrible conflict with her husband who is hoping for a boy. It takes a scandal to finally end the war between man and wife.
Thomas Graal's Best Child
Thomas Graals bästa film
Mauritz Stiller
Victor Sjöström, Karin Molander
Thomas Graal's a screenwriter, is very fond of his secretary Bessie. Overtaken by a kiss by Thomas she runs away. In his misfortune Thomas writes a screenplay inspired by Bessie. But she has not been really honest with him. 31 minutes of runtime are missing and presumed lost.
Thomas Graal's Best Film
