
Christophe Bourseiller
1957 (67 лет)He was born as Christophe Gintzburger. His father, André Gintzburger called Kinsbourg (1923-2013), was a playwright and theater producer. His mother, Chantal Darget (née Marie Chantal Chauvet) (1934-1988), was an actress and the daughter of journalist Claude Darget. His mother subsequently married the director Antoine Bourseiller (of which Christophe adopts the surname as a stage name) and they had a daughter, the rejoneadora Marie Sara.
From the age of four, he appears in cinemas in War of the Buttons, the film by Yves Robert. He then played under the direction of Jean-Luc Godard, Claude Lelouch, Jacques Demy and Pierre Jolivet. It is found in the credits of about thirty films, about twenty telefilms and on the poster of several plays.
At the same time, he pursues a career as a writer, journalist, radio and television man. He has published thirty books on topics as diverse as: minority movements, political extremism, the against-culture, the industrial music and the new wave of the 1980s.
Nearly a time of milieux of extreme left, it dedicates, in 1996, a work to the French Maoists entitled The Maoists: The Folle History of the French Red Guards.
On the radio, he began by creating in 1981 the free radio Frequency arts and shows. On France Musique, he co-produced a weekly program, launched in 2005 and dedicated to avant-garde music: Electromania and animated the morning for two seasons from 2011 to 2013. On television, after having presented several programs since 1984, he becomes editorial advisor of the program Ce soir (ou jamais!) until July 2011. He also participates in a historic program L'Ombre d'un Doubt on FR3 on Wednesdays on two, hosted by the presenter Franck Ferrand.
In 2001, he published a review of studies on the Situationist International, Éditions Denoël, Archives and Situationist Documents, five issues of which will appear until 2005. In 2009, he was behind the "Who Are You?" by Bourin Éditeur.
Since 2003, he has taught at the Institut d'Etudes Politiques in Paris and at Sciences Po Lille. He is also preparing a PhD thesis at the Paris-1 Panthéon-Sorbonne University on Les Mouvements collaborationnistes français from June 1944 to December 1950 under the direction of Pascal Ory.
Since childhood, Christophe Bourseiller has been collecting leaflets and propaganda documents. He entrusted thousands to the Institute of Social History in Amsterdam. He also collects, among others, rare and newspapers.
In 2014, he participated in the second season of the program Les Pieds dans le plat on Europe 1 as a columnist. Since September 7, 2014, he also produces on Musique Musique the program Musicus Politicus, which deals with the links between music and politics. He is finally chronicler in La Bande originale, on France Inter.
Source: Article "Christophe Bourseiller" from Wikipedia in English, licensed under CC-BY-SA 3.0.
War of the Buttons
Yves Robert
Jacques Dufilho, Yvette Etiévant
For generations, two rival French villages, Longueverne and Velrans, have been at war. But this is no ordinary conflict, for the on-going hostilities are between two armies of young schoolboys. When he is beaten by his father for having lost his buttons, the leader of the Longueverne army, Lebrac, has an idea which will give his side the advantage: next time, he and his brave soldiers will go in battle without their clothes...
War of the Buttons

Bolero: Dance of Life
Claude Lelouch
Robert Hossein, Nicole Garcia
The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.
Bolero: Dance of Life

Pardon Mon Affaire
Yves Robert
Jean Rochefort, Claude Brasseur
On an otherwise normal day, Étienne, a happily married man and a good father, sees something that stops him dead in his tracks: a gorgeous woman in a billowing red dress. Long after she has left his vision, her memory continues to haunt his mind. He falls instantly in love with her and tries everything to get to know her better. Helping Étienne snare his elusive lady in red are his three bumbling buddies, which all have secret affairs and/or cheat on their wives.
Pardon Mon Affaire

We Will All Meet in Paradise
Yves Robert
Jean Rochefort, Claude Brasseur
Having fortuitously discovered a photograph in which Marthe embraces someone unknown, Étienne Dorsay becomes jealous and imagines various stratagems to identify the lover. In the meantime, he and his friends acquire a weekend house for a very low price.
We Will All Meet in Paradise

Simple mortel
Pierre Jolivet
Philippe Volter, Christophe Bourseiller
A young man, a researcher in ancient languages, begins to receive strange radio messages in a language only he knows. The messages ask him for very bizarre missions. Eventually, he understands that he's just a pawn in an intergalactic game, and that the fate of Earth depends on him.
Simple mortel

2 or 3 Things I Know About Her
Jean-Luc Godard
Marina Vlady, Anny Duperey
As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.
2 or 3 Things I Know About Her

Trois places pour le 26
Jacques Demy
Yves Montand, Mathilda May
In a charming mixture of fantasy and reality, this film recalls the great musicals of Hollywood's Golden Age. Yves Montand, playing himself, returns to his hometown of Marseilles to appear in an autobiographical musical. Once there, he searches for the barmaid he once loved and also encounters young hopeful Marion, giving her the chance of a lifetime
Three Seats for the 26th

Love Lasts Three Years
Frédéric Beigbeder
Louise Bourgoin, Gaspard Proust
A heartbroken literary critic turns his despair into creativity following a bitter divorce, only to encounter an enchanting beauty who poses a major challenge to his newfound cynicism. Marc Marronnier thought his marriage was going well until his wife deemed him immature, and left him for a high-profile writer. Devastated, he began filtering all of his heartache into a misanthropic manuscript decrying the virtues of true love. But later, when Marc falls hard for his cousin's radiant and gorgeous wife, his entire life is turned upside down. Louise Bourgoin and Gaspard Proust star in a film by actor and author-turned-director Frederic Beigbeder.
Love Lasts Three Years

Courage fuyons
Yves Robert
Jean Rochefort, Catherine Deneuve
At forty years old, Martin Belhomme leads a quiet life with his wife and two children. One day, he falls hopelessly in love with Eva, a cabaret singer. He decides to follow her to Amsterdam. From then on, his life becomes very eventful!
Courage fuyons

French Postcards
Willard Huyck
David Marshall Grant, Miles Chapin
French Postcards rings both comic and true. The believable, fresh-faced characters are young naives from American colleges spending their French-English dictionaries, they compulsively seek out hundreds of monuments, romanticize the nomadic artist's life, and look for grown-up love. The French tutor them well, as befits their reputation. Jean Rochefort is the harassed headmaster with a hankering for affairs, and Marie-France Pisier is his very sexy wife. Watch for a newcomer named Debra Winger, and another-Mandy Patinkin.
French Postcards

P.R.O.F.S
Patrick Schulmann
Patrick Bruel, Fabrice Luchini
A clique of four young teachers at a high school looks critically at their colleagues. To avoid falling in the same routine, they bring new ideas into the school lessons and play little games and pranks in their spare time -- sometimes get even more childish than their pupils. When they get opposition from the other teachers, they play tricks to get rid of them.
P.R.O.F.S.
