
Hassan Akkouch
2021Fremde Tochter
Stephan Lacant
Elisa Schlott, Hassan Akkouch
Seventeen-year-old Lena meets 19-year-old Farid, a young Muslim. She has a clear-cut attitude towards his culture and religion: utter rejection. Despite their differences – or perhaps because of them – they fall in love.
Strange Daughter
Neukölln Unlimited
Dietmar Ratsch, Agostino Imondi
Hassan Akkouch, Lial Akkouch
The three siblings Hassan, Lial and Maradona are successfull dancers and musicians. But their family is in danger of being deported out of Germany. The teenagers plan to use their artistic talents to save the family. However the pressure has put a strain on their relationships, and the way to success is long and uncertain.
Neukölln Unlimited
Contra
Sönke Wortmann
Nilam Farooq, Christoph Maria Herbst
With his uncouth manner, Professor Pohl doesn’t enjoy the best reputation at the university where he works. To make matters worse, he makes a racist remark when student Naima arrives late for his lecture. Unfortunately for him, a video of his verbal outburst spreads like wildfire on the Internet, and the university’s president, Lambrecht, is called to deal with the incident. But Pohl is not dismissed. Instead, he is put to the task of helping Naima prepare for an important debating competition. The lecturer and the student could not be more different, yet they are thrown together to work as a team.
Contra
Der menschliche Faktor
Ronny Trocker
Mark Waschke, Sabine Timoteo
To escape mounting tensions at the advertising agency they co-own, French-German couple Nina and Jan whisk their kids, Max and Emma, away to their seaside vacation home. The couple has signed a new politically charged client, forcing them to confront their clashing priorities. But what’s meant to be an idyllic off-season retreat turns sinister when burglars tear through the house, unseen by anyone except Nina. Though at first the aftermath brings the family closer, it’s short-lived once Max reveals he glimpsed his father hiding during the break-in. As the police investigate and the evidence doesn’t add up, the account of what took place begins to unravel alongside the couple’s faith in each other.
Human Factors
Man from Beirut
Christoph Gampl
Kida Khodr Ramadan, Blerim Destani
Out of the dark - this is true for this film both on the story level and in terms of production. A hard-boiled thriller with a high-concept twist set in Berlin, Man from Beirut follows a blind hitman, Momo, as he tries to survive after his emotions have compromised the outcome of his latest „cleaning job“: He encounters a young girl in the wrong place at the wrong moment, but can’t pull the trigger this time - and finds himself on the run alongside fellow hitman Kadir. To make it out of the Berlin night alive, the killer has to turn against an army of former friends and new foes.
Man from Beirut
New World
Elżbieta Benkowska, Łukasz Ostalski
Olga Aksyonova, Julian Świeżewski
Three stories of immigrants trying to start new lives in Poland: an Afghan traumatised by the war, a Ukrainian lost in her own body, and a Belarusian running away from painful love. The Afghan, Azzam, works as a translator for the Polish army. In his homeland he is treated like a traitor. Having been evacuated to Poland, he is unable to shake off the war experiences. The Ukrainian, Wiera, escapes to Poland to undergo sex reassignment surgery in secret from her family. An unexpected visit from her father and little son will make her face the question of her own identity once more. Żanna, the Belarusian, leaves her husband, a dissident, and lives together with her daughter at her sister’s in Warsaw. She wants to move out as soon as possible and make a normal home. Things get complicated when her husband gets arrested again.
New World
Kino Kanak: Warum der deutsche Film Migranten braucht
Memo Jeftic, David Assmann
Alper Turfan, Wolfgang M. Schmitt
Why has the German film and television industry so far not found a natural way of dealing with people with a migration background? The documentary "Kino Kanak" begins a complex search for traces.
Kino Kanak: Warum der deutsche Film Migranten braucht