
Fernando Lavanderos
1974 (50 лет)Este año no hay cosecha
Gonzalo Vergara, Fernando Lavanderos
This documentary introduces us on the daily life of a group of kids who live on the street. Through the narrative and experiences of the protagonists, we discover the Latin American marginality hidden beneath a contemporary city like Santiago de Chile. The camera turns into another one of the group, eventually becoming part of this type of family life born from the tight friendship with which these kids survive.
Este año no hay cosecha

Y las vacas vuelan
Fernando Lavanderos
Maximiliano Cabrero, Patricio Campos
Kai is a young Danish who walks the streets of Santiago to make a short film and as in a game of mirrors, it is recorded at the same time, leading him to participate in a film that also can be understood as a documentary.
Y las vacas vuelan

Instrucciones para mi funeral
Sebastián Radic
Lorenza Izzo, Eusebio Arenas
Chris, an exceptional student, is expelled from the school and suffers the neglect of the ones he loves after he commits a crime. Chris meets two lonely and dangerous new young friends that will lead him to explore the dark sides of his personality and to exploit his physical and emotional limits. The friends will experience a world without hope, living in a violent sociological environment that will create the conditions for the three of them to star looking for dead as the only one way of escape of their frustrated lives.
Instrucciones para mi funeral

El cielo y la tierra son tan viejos como yo y las 10 mil cosas son una
Fernando Lavanderos
Marco Espinoza, Gonzalo Verdugo
Two young men travel the city of Santiago during a working day in order to carry out a bureaucratic process. In their journey, they run into different urban characters as they talk about time and other "important" issues.
El cielo y la tierra son tan viejos como yo y las 10 mil cosas son una

La madre del Cordero
Rosario Espinosa, Enrique Farías
Maria Olga Matte, Shenda Román
Cristina has spent her life taking care of her mother Carmen. Single and without a trade or friends, she grows older, year after year in her hometown. A few days from her birth- day, Cristina reconnects with Sandra, a former schoolmate who will show her other ways to live, freely and without prejudice.
The Mother of the Lamb

Las cosas como son
Fernando Lavanderos
Cristóbal Palma, Ragni Orsal Skogsrod
Jerónimo is an antisocial local man who rents rooms in his home to expats so he can snoop around their belongings. One day Sanna arrives, a girl who will change Jerónimo’s life. They start getting closer until Jerónimo discovers that Sanna is hiding something in his house.
Las cosas como son

Anónimo
Renato Pérez
Mario Ossandón, María de Los Ángeles García
Javier must reintegrate into society after spending 14 years in prison. His family and friends reject him, so he takes refuge in a house where he rents a room. There he meets Amanda, who helps him find a way to reunite with his teenage daughter that he barely knows.
Anónimo

La hierba de los caminos
Fernando Lavanderos
Summer of 1990. Chile and the world are going through great changes. In a small beach town off the Chilean coast, an eclectic group of teenagers, from very diverse social upbringings, are living their own transition to adulthood. These kids are actually guided by a director, who is trying to make a movie, and above all, to recreate an era that affected him, in a country where these kinds of social encounters are not possible anymore.
The Weeds on the Road
