Lee Yuet-Ching
2021
天长地久
Lee Tit
Hung Sin-Nui, Ng Cho-Fan
Chan Sai-wah abides by his late father's word and marries the wealthy Yam Suk-kuen. They have a son, Kwok-leung. Though Wah is manager of the hotel owned by his father-in-law, Kuen is not a good wife. For all the years of their marriage, Wah has never been happy. Attracted to the humble and honest Carrie Mui, Wah decides to leave his domineering wife Kuen, but is stopped by his father-in-law. The lovers set off to Macau for a new start. Their life has become increasingly miserable under the pressure from Yam's family. When Wah leaves to seek help from his son in Hong Kong, Carrie decides she should leave so that Wah can go without feeling any guilt or burden. On the other hand, Wah is too ashamed to face his son, and returns to Macau. He lives his life in misery. Years pass, the lovers meet again. Wah is reduced to begging in the streets while Carrie becomes an opera diva.
Eternal Love
Qiu
Chun Kim
Chow Chi-Sing, Fung Yik-Mei
Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.
Autumn
Jia
Ng Wui
Cheung Ying, Cheung Wood-Yau
"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.
Family
危樓春曉
Lee Tit
Bruce Lee, Ng Cho-Fan
This early leftist social drama from Hong Kong offers a panoramic portrait of a crumbling apartment complex and its down-and-out denizens, including a taxi driver, an unemployed teacher, a professional reduced to selling his blood and, of course, a venal landlord. In addition to establishing an omnipresent theme in Hong Kong cinema – the plight of the urban poor – the film is also a prime example of the popular melodramas of the time, which featured displaced Mainland film stars.
In the Face of Demolition
難兄難弟
Chun Kim
Wu Fung, Patrick Tse
Adapted from a popular 'three dime novel' the story revolves around two down-and-out buddies, one streetwise and quick-witted the other naïve and kind-hearted. This oddball duo go through up and downs and eventually get their break in life.
My Intimate Partner
Yan shi huan hun ji
Lee Sun-Fung
Pak Yin, Cheung Wood-Yau
Lau Mung-mui chances on To Lai-leung and their encounter transcends to a rendezvous in their dreams. They admire each other, but they do not know each other's names and addresses. They keep on thinking of each other and decide to take each other as their future husband and wife. Mui's father wants his son to get married, but he pays no attention to his father's wishes. Mui leaves home to look for Leung. Leung's father forces his daughter to marry her rich and powerful cousin. Leung becomes despondent and dies, following an arranged marriage with her cousin. Mui sought everywhere for Leung for three years, but to no avail. He locates the home of Leung, but the household has moved out. The house is guarded by an old servant. Mui, chasing Leung's spirit, has a brief romance with her. Acknowledging that their union will be hindered by their incompatibility as a mortal and a spirit, Leung reincarnates as a mortal so that their love may be rekindled.
A Beautiful Corpse Comes to Life
女黑俠
Wong Toi
Yam Kim-Fai, Kong Yat-fan
The Head of Southern Stone Village, Lee Ba-hung bullies others with his power. Yet he has no knowledge that his niece Lee Chun-hong is actually the Black Heroine who confronts him. It turns out that Chun-hong's father is fearful that Ba-hung would bully the mother and daughter of Chun-hong, hence he has disguised Chun-hong with woman attires. Chun-hong's identity is unveiled when she devotes herself to helping the refugees of a disaster by distributing food and emergency supplies. Ba-hung would like to murder Chung-hong by hanging, yet it ends in him being killed by his followers.
Heroine in Black
Anna
Lee Sun-Fung
Pak Yin, Cheung Wood-Yau
Though her marriage with rich businessman Chan Hak-lit is crumbling, Anna Poon refuses to accept her childhood sweetheart Wong Kei-shu's courtship. Anna's younger sister Mei-na has a crush on Shu and treats Lee Man coldly. When she sees Anna being with Shu, she taunts Anna with stealing who she likes. Anna is hurt and goes back to Chan's house. Chan holds a house party and invites business celebrities. Shu attends it and when tells Anna he loves her when they dance. Anna rejects him and tells him never to see her again. Chan goes to the racecourse. When Shu falls down from a horse, Anna faints. Chan asks Anna what her relationship with Shu is. He warns her not to have any wrongdoing and ruin his reputation. Shu is fine and asks Anna to meet for the last time. Anna cannot turn down him and goes to meets him. Lit miscomprehends the situation and files a divorce. He even forbids Anna to see their daughter. A distressed Anna becomes a victim of love in a conservative society.
Anna
