Roberto De Francesco
1964 (61 год)Il mistero di Rosa
Fabio Segatori
Fabiana Forte, Sergio Salvi
Viterbo, 1250. Rosa is a young girl who, after a night vision, begins to preach the words of St. Francis in the streets. One day she is sent into exile. Short in a medieval setting, between ancient villages and naturalistic locations, focused on power conflicts: political, religious and gender.
Il mistero di Rosa
Sabato, domenica e lunedì
Paolo Sorrentino
Anna Bonaiuto, Alessandra D'Elia
Although this sounds like a weekend like many others, in the Prior house the atmosphere is rather tense because of some nervousness on the part of individual members of the family, especially the father, Peppino, who gets angry with anyone who happens to shoot: with their children, Juliana and Roberto, and his sister, aunt Meme. Meanwhile, his wife Rosa is dedicated to the preparation of the sauce, which she will serve for Sunday's lunch, to which she invited the neighbors, the accountant Ianniello and his wife.
Saturday, Sunday & Monday
Loro 2
Paolo Sorrentino
Toni Servillo, Elena Sofia Ricci
"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.
Loro 2
Qui rido io
Mario Martone
Toni Servillo, Maria Nazionale
In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.
The King of Laughter
Ladri di futuro
Enzo De Caro
Enzo De Caro, Anna Campori
Everyday people, everyday stories. Normal, therefore special. They crave for a tomorrow what they haven't got today: the man or the woman of their dreams, a child all of their own, the hope of making it... The only thing they all have in common is the place where they live.
Ladri di futuro
Teatro di guerra
Mario Martone
Andrea Renzi, Iaia Forte
A group of actors meet with little money in a unofficial theatre in Naples' Spanish Boroughs. Director's plan is to travel to Sarajevo, still under siege, to stage a classic Eschilus' play about civil war in Tebe. While they rehearse in the theatre cast members come and go and another kind of war goes on every day in nearby streets of old Naples.
Rehearsals for War
Loro 1
Paolo Sorrentino
Toni Servillo, Elena Sofia Ricci
"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.
Loro 1
We Have a Pope
Nanni Moretti
Michel Piccoli, Nanni Moretti
The newly elected Pope suffers a panic attack just as he is about to greet the faithful who have gathered to see him. His advisors, unable to convince him he is the right man for the job, call on a renowned therapist who also happens to be an atheist. But the Pope's fear of his newfound responsibility is one he must face alone. Winner Best Film at the Italian Golden Globes.
We Have a Pope
