Jayne Parker
2021I Dish
Jayne Parker
In 'I Dish' a naked woman dredges in filthy water. What is she looking for? Gold? Something she's lost? She brings up a series of barbaric-looking bits of metal, nasty looking hooks. In a film which has considered notions of nourishment, sex, love, cleanliness, silence, obsession and compulsion, Parker demonstrates her poetic by letting imagery have its mystery, resonate unforcedly on its own terms.
I Dish
The Pool
Jayne Parker
Donald MacLeary, Jayne Parker
A woman stands in the deep end of an empty and disused swimming pool. She wipes her face and stomach with her hands to clean away blood. She places her hands on the outstretched arm of a man who lifts her into the air and catches her where she falls. An eel swims, its gills flutter, opening and closing with the sound. The woman settle the eel in her arms and holds it against the body. When she swims she breathes out underwater.
The Pool
Blues in B Flat
Jayne Parker
Anton Lukoszevieze
In this film, the cellist is both a musician and a protagonist. In the final section he must introduce a second bow to play on the underside of the strings, a strangely intrusive act. The film opens in a music repair shop and we see the interior of a cello - the space where music resonates.
Blues in B Flat
Reunion
Jayne Parker
The Reunion brings together dancers Lynn Seymour and Donald MacLeary, partnering each other again, for the first time in over thirty years.The Reunion explores the shifting power relationship between a man and a woman who meet again after a long separation having shared a difficult and troubled past.
Reunion
Snig
Jayne Parker
Christina Mackie
A young woman shakes eels out from between the sheets of a bed. She sews the eels on to a sheet, then cuts them away and they fall to the ground. A dilemma. Jayne Parker discovered film as a medium when she was a sculpture student at Canterbury College of Art (1977-80). In early works, objects, performance and gesture were combined by the camera to explore space, duration and the physical body. The images in these early films were both literal and metaphoric, depicting exact events but also creating physical and personal associations for the viewer. Ideas are evoked in images rather than words; ordinary actions are also enigmas.
Snig
TRIFORIUM
Jayne Parker
The film takes its name from the place where it was filmed, the triforium of London’s Westminster Abbey, a gallery hidden from view for 700 years, that runs sixteen metres high above the floor of the nave. Accompanied by Laurence’s Crane’s music, the film holds the stillness and quietude of the triforium, the accumulation of centuries of ascending prayer.
TRIFORIUM
59 1/2 seconds for a string player (versions 1-3) (part of Foxfire Eins)
Jayne Parker
Composed by John Cage in 1953, and played by Anton Lukoszevieze, there are several versions of this film, each lasting a minute. Despite being played from the same score, the films can appear to sound different - depending on what you see. Exhilarating and surprising, the score for 591/2 seconds for a String Player runs through the gamut of possible ways to produce a sound on a 'cello.
59 1/2 seconds for a string player (versions 1-3) (part of Foxfire Eins)
Crystal Aquarium
Jayne Parker
There are four performers in the film - a drummer, a swimmer, an ice skater and a fourth woman. Although the protagonists never appear together they are inextricably bound up by their actions. Meaning is conveyed through movement and its associated sound and the accompaniment of the drummer. The film takes place both above and below water, on ice, and in a room visited by the fourth woman.
Crystal Aquarium
Free Show
Jayne Parker
A film in three acts, each act prefaced by a short circus act. Act 1 – Cutting liver, Act II – Ironing, Act III – Plucking Eyebrows. Three potentially violent domestic activities performed by a woman. Jayne Parker discovered film as a medium when she was a sculpture student at Canterbury College of Art (1977-80). In early works, objects, performance and gesture were combined by the camera to explore space, duration and the physical body. The images in these early films were both literal and metaphoric, depicting exact events but also creating physical and personal associations for the viewer. Ideas are evoked in images rather than words; ordinary actions are also enigmas.
Free Show
Thinking Twice
Jayne Parker
Katharina Wolpe
Thinking Twice features the pianist Katharina Wolpe playing music composed by her father Stefan Wolpe. Stefan Wolpe’s work is renowned for its originality and rigour, its sense of space and surprise. The unique and vital contribution of this important avant-garde composer continues to influence many young composers of today. The title is taken from a series of lectures given by Stefan Wolpe. In its lucid editing of piano keys in motion, and especially in close up shots of the pianist's hands and face, Jayne Parker "attempts to reflect the rigour of the music" (in her own words).
Thinking Twice
