
Arlette Emmery
2021Du côté d'Orouët
Jacques Rozier
Caroline Cartier, Danièle Croisy
A patient observation on the adventures a group of three young girls spending their three-week summer vacation at a small village, a quotidian that includes cooking, excursions, playing cards and going out with guys, enjoying the simple pleasures life has to offer.
Du côté d'Orouët
Le Bon et les méchants
Claude Lelouch
Jacques Dutronc, Marlène Jobert
The film follows the exploits of Jacques, a car-mechanic turned pro-thief, and his Jewish co-conspirator Simon as their robberies, beginning well before the Second World War, take on a political coloration under the occupation.
The Good and the Bad
De man die zijn haar kort liet knippen
André Delvaux
Senne Rouffaer, Beata Tyszkiewicz
Govert Miereveld is a lawyer from a small Flemish town who also teaches in a school for girls. He harbors a secret love for one of his young students, Fran, whom he loses touch with after her graduation. Some time later, Miereveld has to attend an autopsy, and the shock of the experience deeply affects his mental balance. He finds out - or he believes so - that Fran has become a popular singer. He arranges to meet her to finally reveal his feelings. An ambiguous but perhaps tragic denouement follows which might be a figment of the protagonist's disturbed mind.
The Man Who Had His Hair Cut Short
La belle histoire
Claude Lelouch
Gérard Lanvin, Béatrice Dalle
A film with emphasis on visuals and music, the plot concerns characters who meet in present time, mainly the male gypsy Jesus, and the female thief and con-artist Odona, who share parallel experiences from lives 2000 years in the past. These stories are juxtaposed.
The Beautiful Story
Le Chat et la souris
Claude Lelouch
Michèle Morgan, Serge Reggiani
A jaded and charming police inspector is assigned along with his cheerful partner to a case involving the mysterious death and/or suicide of a wealthy entrepreneur. The chief suspect is his enchanting wife who was aware that her husband had a mistress. It is also possible that the dead man may be the victim of a radical terrorist group.
Cat and Mouse
La Course à l'échalote
Claude Zidi
Pierre Richard, Jane Birkin
The whole intrigue is centered around carte-blanche documents kept in a vault. Whoever fills in the blank becomes the owner of a revue. Big money is involved. The nephew of the owner of the vault is trying to cheat his uncle and have his name in the documents. Everything is even more complicated because the manager of the bank has a finger in the pie, too. Who but a humble bank-teller (Pierre Richard) will ruin the scheme?
The Wild Goose Chase
On aura tout vu
Georges Lautner
Pierre Richard, Miou-Miou
An advertising photographer, François, has agreed to sell the poetic script of one of his friends to a porn-maker without his knowledge. But Christine, François' fiance, doesn't want him to do so, especially when the naive friend has succeeded in recruiting the young daughter of his employer to play in what he thinks is a romantic love movie.
The Bottom Line
Le seuil du vide
Jean-François Davy
Dominique Erlanger, Odette Duc
The young artist Wanda Leibovitz comes to Paris, hoping to forget unfortunate love. Soon after arrival directly at the station Wanda meets the mysterious old woman suggesting to rent at it the room (whom the old woman, allegedly, held ready for the now deceased sister). Wanda doesn't know yet that this room will change all her life shortly after it slightly opens a mysterious forbidden door.
Threshold of the Void
Piège
Jacques Baratier
Bernadette Lafont, Bulle Ogier
A genuine performance film as Bernadette Laffont and Bulle Ogier engage, with reckless abandon, in a flurry of senseless destruction in a house at night. Somewhere between a hallucination and a nightmare. Both the explosive soundtrack and narration that accompanies the mayhem was provided by François Tusques.
Trap
Vas-y maman
Nicole de Buron
Annie Girardot, Pierre Mondy
Tired of being a housewife, Annie wants to work. Between her professional life and her responsibilities as a parent, she can no longer cope. She decides to leave and starts writing a memoir of her life...
Take It from the Top