Eloy Domínguez Serén
2021Hamada
Eloy Domínguez Serén
Sidahmed Salec Labeid, Ainina Sihamed Mohamed
Filled with vitality, humor and unexpected situations, Hamada paints an unusual portrait of a group of young friends living in a refugee camp in the middle of nowhere. Western Sahara is known as “the last colony in Africa” and this conflict is the longest and one of the least known ongoing disputes in the continent, but the Sahrawi people refuse to become invisible.
Hamada
Ingen ko på isen
Eloy Domínguez Serén
Language and landscape as a gate into a new life. A young Galician filmmaker emigrates to Sweden, where he performs different part-time jobs. His learning of a new language and fascination for the Swedish landscape become a driving force against the difficult life conditions. As he learns about the culture, society and lifestyle, he develops a new identity.
No Cow On the Ice
Os corpos
Eloy Domínguez Serén
Each year in Galicia, one of the oldest forms of carnival is celebrated. Characters wear spectacular costumes, which include showy masks and a belt from which hang large and sonorous cowbells, and they run through the village, beating the visitors with their whips.
The Bodies
Jet lag
Eloy Domínguez Serén
Diego Castiñeira
Diego works the night shift in an isolated gas station close to the Galician-Portuguese border. His work is solitary, silent, monotonous, somniferous. One night, two unexpected visitors show up and unsettle the routine of the place.
Jet lag
Rust
Eloy Domínguez Serén
Chris Porcarelli
A deserted, snow-covered landscape. An unknown place and time. An anonymous, timeless man slides into a devastated industrial building. He is enclosed by ruins and rust, witnesses of time. He advances among shadows and debris, following a ritual as precise as it is cryptic. Polyphony of materials. The past resonates at every step. Echoes of a presence. A solitary figure fluctuates on an abyss.
Rust
