Metka Bučar
2021
Vesna
František Čáp
Metka Gabrijelčič, Franek Trefalt
Samo, Sandi in Krištof se pripravljajo na maturo. Domislijo se, da bi se lahko dokopali do matematičnih maturitetnih nalog s pomočjo domnevne profesorjeve hčerke z vzdevkom Hiperbola. Ker ne vedo njenega pravega imena, jo poimenujejo Vesna (pomlad). Na zmenku se nepričakovano prikaže prava profesorjeva hčerka, privlačna Janja. Samo in Vesna se zaljubita in zgodba se začne naglo odvijati. Samo povabi Vesno (Janjo) na vožnjo z jadralnim letalom. Morata zasilno pristati.Sandi, vesel, da so končno dobili naloge, se zanje stepe s Samom. Samo se poškoduje in zaradi tega ne more na zmenek z Vesno. Nanj gre Sandi, ki na zmenku poskuša pridobiti Vesno zase. Zareče se mu in uide mu resnica, da so za Vesno žrebali. Zaradi tega se hoče Vesna ubiti. Skoči s padalom v upanju, da se ne bo odprlo. Vse se lepo izide, padalo se odpre.
Vesna
One Fine Day
France Štiglic
Bert Sotlar, Duša Počkaj
A story set in a Slovenian village during Italian occupation. Stefuc, a man who has been widowed twice and has four daughters, wants to get married for the third time with Zana, who's already engaged and pregnant with Ludvik. Stefuc tries to separate them away, but realizes that he'll have to marry Hedvika, a nice looking girl who has just returned from Milan. In the meantime, Italian fascist authorities decide to eradicate five Slovenian songs with the help of local traitors.
One Fine Day
Ne čakaj na maj
František Čáp
Metka Gabrijelčič, Franek Trefalt
A young girl, Vesna, goes on a skiing vacation to Slovenian Alps, where she is being looked after by her aunt. Her family gets worried when they meet Vesna's boyfriend, and try to marry the couple, thinking that she may be pregnant with him.
Don't Whisper
Naš avto
František Čáp
Ruša Bojc, Janez Čuk
A photographer decides to buy a car with the money he'll get for his prizewinning photo, but the postman brings only a diploma instead of money. Being subjected to the ridicule of their neighbors, his family decides to buy an used Buick, in spite of being against it at first. That would turn out to be a huge mistake, since the breakdowns are more often that they can afford.
Our Car
Svet na Kajžarju
France Štiglic
Bert Sotlar, Maks Furijan
A post-WW2 story about the village largely involved in wine-making business. The peasants who claimed possessions of lands, woods, and churches after communist party seized the power hold a party where a member of so-called reactionary forces (kulaks, clergy and Axis collaborators) tries to break in and stop it.
People of Kajzarje
Lucia
France Kosmač
Alenka Vipotnik, Jože Zupan
A melodramatic story of Lucia, who serves as a charwoman on the Podlogar family's rich farm, and makes a fuss among householder's sons, as she becomes pregnant with one of them. A decision on whether one should be forced into marriage with the pregnant charwoman and her child, ends tragically. Will Lucia be able to sustain psychological pressure, contempt and pity of the Podlogar brothers?
Lucia
Dobri stari pianino
France Kosmač
Vida Kuhar, Vekoslav Janko
Composer and pianist Blaz Gaber lives only for his music and does not want to know anything about the outside world, where the war is raging. Upon his arrival from his poorly attended concert, he finds himself in prison for having stars drawn in his notebook by a little boy. A young illegal activist seeks refugee in the school, where the pupils hide his pistol inside the Gaber's piano. A German officer comes with his soldiers to find the hidden illegal, orders the school to be evacuated and takes the piano together with him on a train.
The Good Old Piano
Samorastniki
Igor Pretnar
Majda Potokar, Rudi Kosmač
Slovenian countryside in the 18th century. The future lord of the manor, Ožbej, falls in love with the new maid, Meta. His family, however, is opposed to the match and successfully plots to keep the young couple apart. Although Meta must endure scorn and degradation at the hands of the villagers, Ožbej still cannot tear himself away from her. Five children are born of their union, all of whom are looked upon as bastards by the manor folk. Although driven by desperation to return to the manor, Ožbej still harbours the hope that he will one day be able to live together with his love. Can he survive without the woman he loves and without his children? Will he be able to survive at all?
Wild Growth
