
Takako Irie
1911 - 1995In the postwar period, Irie became known as a "ghost cat actress" (bakeneko joyū) for appearing in a series of kaidan (ghost story) movies. One of her late memorable roles was in Akira Kurosawa's Sanjuro, where she plays Mutsuta's wife, the lady who warns Sanjuro (Toshirō Mifune) that "the best sword stays in its scabbard".
Haha no kyoku
Satsuo Yamamoto
Setsuko Hara, Joji Oka
The prewar film Haha no kyoku (Mother's Melody, 1937) is known for its place in Japanese film history as one of the top three melodramas as well as for its authorship: Yamamoto Satsuo is an auteur not usually associated with filming melodramas. Yamamoto made the film right after he moved, along with his mentor Naruse Mikio, to the Toho film company. A number of subsequent postwar mother's films adopted some of its essences, making it a genre-defining moment in Japanese cinema. This great melodrama is atypical of Yamamoto's output, much of which deals with political corruption and inequities within social institutions and offers a strong anti-establishment appeal.
Mother's Melody
Sanjuro
Akira Kurosawa
Toshirō Mifune, Tatsuya Nakadai
Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.
Sanjuro
瀧の白糸
Kenji Mizoguchi
Takako Irie, Tokihiko Okada
Taki no Shiraito is a very independent young woman with a famous water juggling act in a travelling carnival troupe. She falls in love with an orphaned carriage driver Kinya Murakoshi, and pledges to put him through law school in Tokyo. She always encloses money in her letters to him, until one hard winter there is no work to be found.
The Water Magician
ある映画監督の生涯 溝口健二の記録
Kaneto Shindō
Takako Irie, Daisuke Itō
In 39 interviews with actors and actresses, writers, producers and staff members, interspersed with film excerpts and stills, Shindō recounts the life and career of his friend and mentor Mizoguchi.
Kenji Mizoguchi: The Life of a Film Director
川中島合戰
Teinosuke Kinugasa
Ennosuke Ichikawa, Denjirō Ōkōchi
This epic depicts the battle between Uesugi Kenshin and Takeda Shingen. The focus of the story is the struggle by the unit leader in charge of the main supply wagons and the supply troops to transport materiel to the Uesugi army. To this are added episodes involving an itinerant woman.
The Battle of Kawanakajima