Giulietta De Bernardi
2021Marlene de Sousa
Tonino De Bernardi
Betty Faria, Filippo Timi
Betty, a famous brasilian 'telenovelas' star, is in search of her twin sister Marlene, who vanished when the kids were four years old (Marlene is now a prostitute). Fragments of other stories, like that of an italian traveller Filippo who left in Italy Giuli, pregnant, and claims to have a split-personality, are inter-twined with the main one
Marlene de Sousa
La strada nel bosco
Tonino De Bernardi
Filippo Timi, Antonella Paolini
This film tells three different love stories, or alleged love stories, or, nevertheless, stories of sentimental relationships set in the Lazio countryside, Rome, and Naples. This is the reiteration - in different days and in different places - of an encounter among three people that (perhaps) may turn out to be fatal.
The Way in the Woods
Rosatigre
Tonino De Bernardi
Filippo Timi, Giulietta De Bernardi
This is a story about a Neapolitan guy, Antonello, immigrant in Turin, who, for a living, hooks on the street as Rosatigre. Sasà, a friend of his, tries to bring him back to Naples, but, after a tortured decision, Antonello chooses to come back North and to keep living “on the street”.
Rosatigre
Iolanda tra bimba e corsara
Tonino De Bernardi
Caterina De Bernardi, Giulietta De Bernardi
Adventure of children and adults, fancied trips and everyday tragedies. The city and the countryside. Real and dreamt life. An experimental film inspired to the life of Emilio Salgari and his novel Yolanda, daughter of the Black Corsair. The movie is part of a series produced by Quarto Film on the 150th anniversary of Salgari's birth.
Iolanda, Child and Corsair
Appassionate
Tonino De Bernardi
Anna Bonaiuto, Inês de Medeiros
Pina was born in Portugal but now lives in poor circumstances in Naples. Pina has two daughters, Rosa, who has been wearing a wedding dress since she was left stranded at the altar several years ago, and Caterina, who murdered a man who wronged her as he left the church following his wedding. Caterina winds up in prison alongside Maddalena, a prostitute who witnessed the murder and was inspired to kill a man in her own life who had hurt her. The incidents from these women's lives are interspersed with another story, set in 1929 and filmed in black-and-white, about a man who shoots his wife in a movie theater and must run to avoid the police.
Appassionate
Fare la vita
Tonino De Bernardi
Filippo Timi, Giulietta De Bernardi
A Neopolitan hustler named Antonello is living his life in Torino. He turns tricks as a transvestite, using the name Rosatigre, or more commonly, Rosa. His closest pal is Wanda, who exercises the same “profession” and, being his best friend, is also the incarnation of his feminine alter ego. While we watch the two of them hanging out on the street, sweet and carefree as the young Moll Flanders, we eavesdrop on their exchange of confidences and learn the secret details of their private lives. Wanda could have been a teacher but she preferred the street, where she can indulge her sentimental, dreamy nature in sighing over the "Americano" she once met in Naples, for whom she still carries a torch.
Working the Streets
Casa dolce casa
Tonino De Bernardi
Joana Preiss, Lou Castel
A young woman wanders down an endless corridor, while other people knock at a door at night. A man takes a picture of Montmartre, two women hand him some money, while a patron manages from rue de Mhyra a network of Italian call girls. Adiba sings an ancient Moroccan song in a room full of children, while Vidya is performing her daily puja in Pune (India). Giuli sings to herself as she drives at night through Turin and runs to the station at day. Parallel stories where every character is caught “in a situation,” closed.
Home Sweet Home
Hotel de l'Univers
Tonino De Bernardi
Joana Preiss, Lou Castel
“Why did you kill her?” Lou asks Philippe again. The life-odyssey of Joana, a modern-day Moll Flanders, continues as she moves through different times and places, like the stations of a personal via crucis, with occasional leaps into the present. From Paris to Rome and on to São Paulo. The body has lost every value, except the economic one.
Hotel de l'Univers
