Ken Uehara
1909 - 1991
Aika
Kajirō Yamamoto
Toshirō Mifune, Ken Uehara
Wataru Naohiko who has the prosecutor general as his father became a young composer and its symphony "saint" invoked the world echoed. But his disciple Uchiyama and his best friend prosecutor Daisuke Toki accused his music as a sesame of pause-only technique, not a truly heart-hungry art.
Elegy
47 Ronin
Hiroshi Inagaki
Toshirō Mifune, Takashi Shimura
The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for over a year to kill Kira. In turn, the ronin were themselves forced to commit seppuku for committing the crime of murder.
47 Ronin
煙突の見える場所
Heinosuke Gosho
Kinuyo Tanaka, Ken Uehara
Gosho’s most celebrated film both in Japan and the West, Where Chimneys Are Seen is perhaps the most compelling example of his concern for, and insights into, the everyday lives of lower-middle-class people. Based on Rinzo Shiina’s novel of the absurd, the film depicts the lives of two couples against the backdrop of Tokyo’s growing industrialization during the 1950s.
Where Chimneys Are Seen
Daughters, Wives and a Mother
Mikio Naruse
Setsuko Hara, Hideko Takamine
Sanae is left a widow after her prestigious husband dies, but holds the proceeds of a million yen insurance policy. Being childless, her former in-laws have no objection to her return to her own family.
Daughters, Wives and a Mother
宗方姉妹
Yasujirō Ozu
Kinuyo Tanaka, Hideko Takamine
Setsuko is unhappily to Mimura, an engineer with no job and a bad drinking habit. She had always been in love with Hiroshi but both of them failed to propose when Hiroshi left for France a few years ago. Now he is back and Mariko (Setsuko's sister) tries to reunite them. She too is secretly in love with Hiroshi.
The Munekata Sisters
晩菊
Mikio Naruse
Haruko Sugimura, Sadako Sawamura
What is the life of a Geisha like once her beauty has faded and she has retired? Kin has saved her money, and has become a wealthy money-lender, spending her days cold-heartedly collecting debts. Even her best friends, Tomi, Nobu, and Tamae, who were her fellow Geisha, are now indebted to her. For all of them, the glamor of their young lives has passed; Tomi and Tamae have children, but their children have disappointed them. Kin has two former lovers who still pursue her; one she wants to see, and the other she doesn't. But even the one she remembers fondly, when he shows up, proves to be a disappointment.
Late Chrysanthemums
あらくれ
Mikio Naruse
Hideko Takamine, Ken Uehara
A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.
Untamed Woman
歌女おぼえ書
Hiroshi Shimizu
Yaeko Mizutani, Ken Uehara
Uta’s mother died when she was six years old; her father she never met. She was forced to adopt a traveller’s life when her grandmother died, and now she is a dancer and part of a family of actors who travel from town to town, setting up street performances. A way of escape from this marginal existence arises when she gets the chance to move to tea merchant Hiramatsu’s place, where she is asked to teach his daughter to dance.
Notes of an Itinerant Performer
