Maria Stefanova
1939 (86 лет)Вчера
Ivan Andonov
Hristo Shopov, Georgi Staykov
The 1960s was the time of Beatles and Rolling Stones, the time of sexual revolution. These events have their echo in Bulgarian English-learning school. The school order provokes a protest of the students due to the narrow-minded teachers.
Yesterday
Всичко е любов
Borislav Sharaliev
Ivan Ivanov, Yanina Kasheva
Rado, an orphan from a poor Sofia neighborhood, has been in and out of school for troubled youth for years. Although he is approaching adulthood, he is yet to finish 8th grade. He cannot reconcile his pride and sense of justice with the kind of education provided by people who are deprived of sensibility and human warmth. Rado asserts his right to freedom by frequently running away. During one of his escapes he meets the love of his life, Albena. She is a good student, and comes from a well-educated, sophisticated family. This new and unexpected connection intensifies Rado's desire for freedom and independence, and leads them both into uncharted territory.
Everything is Love
Maneuvers on the Fifth Floor
Petar B. Vasilev
Velko Kanev, Stefan Danailov
Three colleagues and devoted friends – Danton, Petar and Andrey – share an office, and not only, on the fifth floor of a socialist industrial research institute from the mid-eighties. Every morning when they come to work they lock the door of the office and, armed with binoculars and great interest, they begin watching the aerobics exercises of a young girl in the nearby building. Suddenly, their tranquil daily round is disturbed - a new director takes over the Institute and decides to develop close scientific partnerships with similar institutes in Japan.
Maneuvers on the Fifth Floor
Понеделник сутрин
Hristo Piskov, Irina Aktasheva
Pepa Nikolova, Asen Kisimov
Frivolous girl falls in love with a young construction worker. He trusts her and decides to include her in his team of workers. In the beginning, she is happy, but soon starts to feel the tensions between the people in the team. Hypocrisy and demagogy fill her with indignation and she does not keep silent about the shortcomings and mistakes of her colleagues. Gradually, her superiors become uneasy about her and the girl has to go. Her boyfriend offers her marriage, but she decides to take her own path and lead a worthy life. The movie was shot in 1966 but was censored by the communist government and released in theatres on 31st October 1988.
Monday Morning
Wie füttert man einen Esel
Roland Oehme
Manfred Krug, Karla Chadimová
Due to his profession, Fred, an easy-going and charming long-haul truck-driver, sees a lot of the world. Along his routes he enjoys the company of a lot of girlfriends who sweeten his spare time. One day, he suffers an accident in Prague which puts his co-driver Orje out of action. The beautiful Hungarian Jana persuades him to make her his new co-driver and does her utmost to take care of the stressful job. The more time the uneven couple spends on the road together, the more Jana feels attracted to Fred.
Wie füttert man einen Esel
Краят на пътя
Petar B. Vasilev
Assen Milanov, Nikola Galabov
A geologist engineer Yuliya disappears. Ablamov, an elderly engineer, organizes a rescue party to look after her in the mine galleries but they find nothing. Yuliya was last seen at a ceremony for award-wining miners. The newsreel crew was filming the event. Yuliya left in the middle of ceremony. Prodanov, a headstrong and quarrelsome engineer, had followed her. Suspicion falls on him. However, the film sequences shot at the ceremony reveal that Ablamov reacted suspiciously to Yuliya's exit. Detected as the murderer, Ablamov attempts to cross the border but is caught. Yuliya had discovered that the ore contained uranium. Ablamov had replaced the samples in order to prevent the development of the uranium ore deposit.
End of the Road
