Graeme Clifford
2021Clifford was a leading film editor for over ten years, before he made an impressive feature directorial debut with Frances, the dramatic real-life story of actress Frances Farmer, which gained Academy Award nominations for Jessica Lange and Kim Stanley. His second feature outing was the Australian historical adventure-drama Burke & Wills which was chosen as a participant in the 1986 Cannes Film Festival.He followed up with the contemporary action-suspense drama Gleaming the Cube, starring Christian Slater, and Deception (a.k.a. Ruby Cairo), starring Andie MacDowell, Liam Neeson and Viggo Mortensen.
Born in Sydney, Australia, Clifford obtained his wide-ranging experience in editing, special effects, sound recording/mixing, animation and assistant directing at Artransa Park, Sydney’s only film studio for many years. He received additional tutelage working under directors like Robert Altman and Nicholas Roeg. His collaborations with Altman include M*A*S*H, McCabe and Mrs. Miller, Images and The Long Goodbye. For Roeg, Clifford edited Don't Look Now, for which he was nominated for a British Academy Award, as well as The Man Who Fell to Earth.
Clifford’s other feature editing credits include Norman Jewison’s F.I.S.T., Sam Peckinpah’s Convoy, Bob Rafelson’s The Postman Always Rings Twice and the cult-classic The Rocky Horror Picture Show.
Clifford’s television directorial credits are many and varied. They include episodes of Joan of Arcadia, The Guardian, Twin Peaks and Faerie Tale Theatre, and the movies Profoundly Normal (Kirstie Alley, Delroy Lindo), See You In My Dreams (Aidan Quinn, Marcia Gay Harden), Redeemer (Matthew Modine), Past Tense (Scott Glenn, Lara Flynn Boyle, Anthony LaPaglia) and Mario Puzo’s The Last Don Parts I and II, an Emmy-nominated 10 hour mini-series (Danny Aiello, Joe Mantegna, Jason Gedrick, Daryl Hannah).
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The Boy Who Left Home to Find Out About the Shivers
Graeme Clifford
Peter MacNicol, Christopher Lee
An intelligent, fearless boy living in a superstitious Transylvanian village goes out into the world to figure out what everyone else is afraid of, "the shivers." A king hires him to rid his castle of ghosts and evil spirits, expecting him to die like all who have tried before him, but the boy is more fearless than he could have known.
The Boy Who Left Home to Find Out About the Shivers
Profoundly Normal
Graeme Clifford
Kirstie Alley, Delroy Lindo
Donna Lee Shelby, a mentally challenged girl who lives in Forest Haven, an institution for the developmentally disabled, meets Ricardo Thornton, a fellow resident. When Forest Haven is closed by a court order, Donna and Ricardo venture into the real world on their own.
Profoundly Normal
Gleaming the Cube
Graeme Clifford
Christian Slater, Steven Bauer
An Orange County teenager's carefree life of ditching class and skateboarding abandoned pools comes to a screeching halt when someone close to him dies. The cops rule the death a suicide, but the bereaved skater believes he was murdered. It's up to him to solve the case, with a skateboard.
Gleaming the Cube
Family Sins
Graeme Clifford
Kirstie Alley, Deanna Milligan
Based on the true story of the Burt family who seemed normal, upstanding members of the community but were actually deeply embedded in crime. The matriarch took in foster children who were subsequently molested and abused by her husband and children and she kept a woman enslaved and imprisoned in the basement for over twenty years until the woman's daughter managed to get to Rhode Island Attorney General David Morwitz and expose the horrors taking place in the Burt household.
Family Sins
Don't Look Now: Looking Back
David Gregory
Nicolas Roeg, Anthony B. Richmond
In this short making-of documentary, director Nicolas Roeg discusses the production history of the film and the unique qualities of Daphne Du Maurier's story that inspired it, while director of photography Anthony B. Richmond explains the significance of specific scenes, including the notorious sex scene, and how they were shot. Editor Graeme Clifford also discusses his contribution to the film.
Don't Look Now: Looking Back
Past Tense
Graeme Clifford
Scott Glenn, Lara Flynn Boyle
A former cop who is now a novelist notices an attractive young woman move in next door to him. He strikes up a conversation, one thing leads to another and he spends the night. She asks him to come back the next evening, but when he does he discovers that she has been killed. When he reports the murder, he is told that no such woman ever lived there, and when he gets back to the house there's a completely different woman staying there--who he's never seen before--who claims that she's lived there for years and no other woman has ever lived there
Past Tense
Redeemer
Graeme Clifford
Matthew Modine, Obba Babatundé
When a Black Panther raid on the house of a dope dealer goes awry, an innocent young man is killed and the leader of the raid team, a Panther named Charles Henderson (Obba Babatunde), is sentenced to life in prison. Bestselling author Paul Freeman (Modine) offers a creative-writing class in Henderson's prison, initially looking for a story for his next book; but when Henderson becomes his student, Freeman starts to investigate Henderson's case and becomes convinced that, after 20 years, Henderson deserves to be released--but the next step is convincing the sister of the man whose death Henderson is responsible for.
Redeemer
The Turn of the Screw
Graeme Clifford
Amy Irving, David Hemmings
A governess is hired to look after two neglected children, who show signs of having been corrupted by the insidious influence of the groom Peter Quint. Quint, although hanged for murder, still makes an appearance among the shadows of the manor house along with Miss Jessel, a previous governess who took her own life.
The Turn of the Screw
Write & Wrong
Graeme Clifford
Kirstie Alley, Eric Christian Olsen
Quickly approaching her fiftieth birthday, talented and once-famous screenwriter Byrdie has lately had a hard time finding work in the movie biz. As she's aged, the industry hasn't, and the new regime isn't interested in what a maturing wordsmith has to say. In desperation, Byrdie dreams up a script-selling scheme, enlisting her attractive nephew Jason, a car salesman, to pitch her work as his own. The ruse is a wild success: All the key players eat up his charm, and her scripts soon become the hottest thing in town!
Write & Wrong
