Ryutaro Ninomiya

感じるつちんこ ヤリ放題！

Shinji Imaoka

Ayane Ryokawa, Yumi Anno

Shinji Imaoka, the director of “Waiting for you,” starred Ayane Suzukawa, a popular sexy idol, and a unique sensual drama depicting the struggle of a woman whose husband was kidnapped by a giant Tsuchinoko. The couple, Ichiro and Sonoko, are attacked by a human-sized Tsuchinoko in the mountains, and only Ichiro is taken away. Sonoko rescued by Tsuchinoko Hunter Kurikoma descends alone, but Ichiro's colleague Segawa cannot believe Sonoko's story. Eventually Sonoko goes to find the giant Tsuchinoko's den again to meet Ichiro.

ヤクザと家族 The Family

Michihito Fujii

Shun Sugata, Machiko Ono

Taken in by the yakuza at a young age, Kenji swears allegiance to his old-school boss, pledging to adhere to the family code amid ever-changing times.

アンダードッグ

Masaharu Take

Mirai Moriyama, Takumi Kitamura

Tells the story of three bottom-dog boxers who gets used as punching bags. Pro boxer Suenaga Akira fell off the path to greatness but still tries to crawl his way to the top. Omura Ryuta is a youngster who grew up in foster care. Miyagi Shun, a TV celebrity with famous parents, takes a shot at boxing as part of a TV show. Three underdogs with very different back stories put their pride on the line as they exchange blows.

森山中教習所

Keisuke Toyoshima

Shūhei Nomura, Kento Kaku

Kiyotaka Sato (Shuhei Nomura) is a university student. He is sociable, but he looks like he doesn't have interest in those around him. During his summer vacation, Kiyotaka Sato plans to get his driver's license to impress schoolmate Matsuda (Yukino Kishii). At this time, a yakuza boss (Ken Mitsuishi) orders Todoroki (Kento Kaku) to get his driver’s license. Todoroki doesn't show his feelings outwardly. Later, Todoroki drives a car without a driver’s license and he hits Kiyotaka Sato. To cover up the accident, Kiyotaka Sato is placed in a car and taken to away. He arrives at an unofficial driving school. The driving school is run by the Uehara family. There, Kiyotaka Sato and Todoroki learn that they graduated from the same high school. They spend their summer at the driving school.

お嬢ちゃん

Ryutaro Ninomiya

Minori Hagiwara, Rieko Dote

Minori is a pretty server in a ramen shop. She is fed up with people who care only about her appearance and themselves. She is always straight forward and angry at everyone. She is also angry at herself who cannot really change anything.

蒲田前奏曲

Hirobumi Watanabe, Yuka Yasukawa

Urara Matsubayashi, Kotone Furukawa

A four-part film done in the unique style of each director, Matusbayashi Urara gives a portrayal of a struggling actress named Machiko who lives in Kamata. Machiko is the central axis of the movie as the film comically depicts what it means to be a "woman" and an "actress" in society through showing the patterns of life as conducted by her and the people that surround her.

枝葉のこと

Ryutaro Ninomiya

Ryutaro Ninomiya, Shinji Imaoka

Ryutaro Ninomiya, 27 years old, lives a fairly simple life. He works at an auto-repair shop, reads books and drinks a few beers. One day, he receives a phone call from Yusuke, his childhood friend whose mother, Ryuko, is dying from Hepatitis C. Despite knowing for a while that Ryuko was sick, Ryutaro hasn’t visited her, but today he decides to go.

オレとアイツの集金旅行

Shinji Imaoka

Utchii, Takuya Sakurai

Miryoku no ningen

Ryutaro Ninomiya

Yoshitaka Hosokawa, Ryutaro Ninomiya

Hyper-realistic, comic drama about a group of workers in a small Japanese vending-machine factory. The young men gossip in their grubby canteen about women and each other. In order to drive out the boredom, they play soccer on the colourless industrial site. The relationships do not entirely run smoothly: ‘senior’ employee Takahashi enjoys making his colleague Yoda feel every day that he is at the bottom of the ladder. Yoda barely reacts. In the meantime, Sakata, a cheerful kid, tries in vain to make friends with the taciturn Yoda. This ensemble film shows in a dryly comic way the everyday lives of these so very normal Japanese kids, who still have one foot in childhood, but need to make choices as adults. The director himself plays the lead of the charming Sakata, who closely observes his colleagues. As he does in the role of filmmaker: his clear gaze soon reveals how it all fits together.