Velasco Broca
2021Fragmentos para una historia del otro cine español
Andrés Hispano
Frederic Amat, Adolfo Arrieta
Documentary about the history of experimental cinema in Spain. FRAGMENTS is a historical survey of “the other” Spanish Cinema — films that brazenly explored their artistic, poetic and conceptual potential. Spanish experimental cinema can be glimpsed in a series of important yet isolated events that FRAGMENTS compiles through various firsthand accounts, film excerpts and documents. For the first time in Spain, a documentary brings together the most relevant of a cinema that is slowly losing its invisibility.
Fragmentos para una historia del otro cine español
Der Milchshorf: La Costra Láctea
César Velasco Broca
Velasco Broca directed "La Costra Láctea" in 2002, as the result of an institutional assignment to develop a sexual education video for teenagers. The film, mixing fokloric Spain with fetishism and aliens, was ultimately not approved as educational material and ended up being broadcast in TVE's La 2, in the show Versión Española, with Bigas Luna's feature "Bilbao".
Der Milchshorf: La Costra Láctea
Ayudar al ojo humano
Lorena Iglesias, Julián Génisson
Julián Génisson, Lorena Iglesias
At the beginning of the 20th century, a series of Gnostic spells perpetrated in India affected a Spanish priest, ending his honor and his life and cursing his offspring forever. Harassed by this spell, his great-great grandson, also a priest, is forced to flee from the town to the capital and from there to a cathedral submerged in the depths of the ocean. Black magicians, delinquents, insects, archons and even Satan himself will be some of the sinister characters he will have to face in order to succeed in his evangelizing adventure.
Ayudar al ojo humano
True Love
Ion De Sosa
Ion De Sosa, Marta Bassols
Ion used to live in Berlin. He lived there with his girlfriend Marta. He had two cameras, a 16 mm one and a video tape one. Ion used to record everything in his little universe: his room, his friends, his girlfriend, the restaurant he used to work in, his tattoos and the city landscape. One day, though, Marta left him. Now, he shoots the same spaces, but without her presence. The house is empty. A personal portrait of a city and a separation.
True Love