Karl-Heinz Heymann
2021Darf ich Petruschka zu dir sagen?
Karl-Heinz Heymann
Frank Bey, Hannelore Bey
35-year old ballet soloist Peter ends his career as a performance dancer and, on the occasion of his last stage performance, looks back on his career and his life. Peter′s retrospection is centred on the relationship with his professional and romantic partner Lotte, who he had once met at a joint performance. Peter remembers the landmarks of their love: their marriage, their child, and Lotte′s severe illness that threatened to end her career. In flashbacks, the film shows how the couple survived this crisis by working sacrificially to return to the stage and celebrate international success.
Darf ich Petruschka zu dir sagen?
Der Mond und andere Liebhaber
Bernd Böhlich
Fritzi Haberlandt, Katharina Thalbach
Der Mond und andere Liebhaber narrates the story of Hanna, a woman who will not take lifes set-backs and knock-downs sitting down. Instead, she takes them in her stride, picks herself up and marches onward. This is a woman who continually draws new courage from her inexhaustible will to live. Whatever losses and uncertainties come her way, she remains true to herself.
The Moon and Other Lovers
..schwierig sich zu verloben
Karl-Heinz Heymann
Ulrike Krumbiegel, Werner Tritzschler
Biggy is 18 years old and getting trained as a salesperson. She lives in a small town. In a greenhouse she meets Wolle, a 20-year-old locksmith. The two get closer and fall in love but their wild life comes to an end when Biggi tells Wolle that she is pregnant. Since Wolle dreams about freedom and adventures, he flees from the responsibility, starts to work in another town and gets involved with another girl. Thereupon, Biggi gets an abortion and starts to study at the university. She also becomes acquainted with another man, but soon breaks up with him. Since Biggi and Wolle are unhappy without each other, they get back together and start anew.
..schwierig sich zu verloben
Rabenvater
Karl-Heinz Heymann
Katrin Sass, Wolfgang Winkler
Two years ago, cinema poster painter Jonathan had agreed in his divorce to leave the sole custody for his son David to David′s mother Ruth. But at the boy′s ninth birthday, Jonathan all of a sudden returns to their house. In the meantime, Ruth has found a new Partner, Franz, whom David has accepted as his surrogate father. Although everybody tries to solve the new situation with a lot of tolerance, Franz and Jonathan become rivals. But this rivalry comes to an end when David has an accident. Now, the boy is allowed to visit his father Jonathan on the weekend whenever he wants to. But before that, David goes on one last adventure: On a trip to a vacation camp, Jonathan "kidnaps" his son to spend several days hitchhiking alone with his son. Then, he gets him back to the vacation camp.
Rabenvater
