Kostas Sfikas
1927 - 2019Ιωάννης ο βίαιος
Tonia Marketaki
Manolis Logiadis, Vangelis Kazan
At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.
John the Violent
Metropoles
Kostas Sfikas
Blumlain Gerhart
This is an experimental film featuring an allegorical audiovisual symphony of image, text (excerpts from works by Proust and verses from Rilke’s poetry) and music through the use of archival photographs taken from Illustration Magazine. It focuses on the urban establishment and links the wave of Western colonization to the period right before the Great War (1914-1918).
Metropoles
Κιέριον
Dimos Theos
Anestis Vlahos, Kyriakos Katzourakis
In this political drama, a journalist accused as a conspirator in the murder of an American colleague is released for lack of evidence, and then searches for the true culprits. Inspired by the true events of the murder of American journalist George Polk, this film was shot in 1967 and was banned by the coming military dictatorship in Greece. It had only been shown abroad, until it premiered in 1974 after the dictatorship's fall .
Kierion
Idlers of the Fertile Valley
Nikos Panayotopoulos
Olga Karlatos, George Dialegmenos
In this black comedy, the men in a lovely mansion slowly give in to a kind of terminal sloth after they are freed from the need to actually work. The father takes to his bed after his hernia acts up and never leaves it. Of his three sons, only one wants to do much about leaving, and he does in fact cross the front threshold of the house with his lover, who is also the maid. However, before he has gotten very far, he is very tired, and goes to sleep where he stands. One of the sons outdoes them all by sleeping literally all the time. He is not in a coma -- he is just very, very lazy and tired. Some critics have viewed this film as a sharply delineated social satire.
The Idlers of the Fertile Valley
The Colors of Iris
Nikos Panayotopoulos
Nikitas Tsakiroglou, Vangelis Kazan
A mysterious disappearance takes place during the shooting of a commercial on the beach in the early morning hours. An unknown man suddenly comes into the shot, then walks into the sea holding an umbrella and seizes to exist, before the bewildered eyes of the whole crew. After the police are notified, a confusing array of red tape manoeuvers begins, revealing the close affiliations of the Authorities with the advertising company manager and the whole mechanism of Mass Media, all of which are trying not to investigate the event but to conceal or even exploit it in their own interest. Only the musician involved in that commercial is trying to figure out what really happened.
The Colors of Iris
Η Γυναίκα Που Έβλεπε Τα Όνειρα
Nikos Panayotopoulos
Myrto Parashi, Giannis Bezos
Something changes in the relationship of Achilleas and Anna when she starts to dream vividly and insists on relating her dreams to her husband. He is a barrister in the middle of an important murder trial and his temper becomes frayed with Anna's seeming indifference and involvement and preoccupation with her dream world.
The Woman Who Dreamed
Μη Μου Άπτου
Dimitrios Yatzouzakis
Giorgos Ninios, Eleni Gasouka
In this Greek romantic comedy, Athens bus lines manager Voulis (Giorgos Ninios) has given up trying to salvage his marriage. Instead, he devotes time and energy to feeling-up cute commuters, eventually developing a fascination with one passenger in particular.
Touch Me Not
