Anna Marziano

Al di là dell'uno

Anna Marziano

Set to a breath-like rhythm, Anna Marziano’s Beyond the One is an essayistic exploration of love’s various guises, considering different attempts at courtship, living together, and sustaining connections with people once they have died.

De la mutabilité de toute chose et de la possibilité d'en changer certaines

Anna Marziano

The Mutability of All Things and the Possibility of Changing Some explores our human adaptability in light of catastrophe by way of seminal literature passages implying a transitory social body.

Al largo

Anna Marziano

Francesco Nash, Claire Marin

A reflection on the concept of pain through an immersive flow of images and words.

Orizzonti orizzonti!

Anna Marziano

This film is composed of 5 horizons, each one offered by the filmmaker to the voices of some passers by met in Apulia, in June 2013: their words draw closed and open spaces, paths of illnesses and healing.

Mainstream

Anna Marziano

Which artistic practices are possibile in a society that revolves on artificial needs? An open consideration through the work of the artist Dan Perjovschi. An invitation for a walk along the imaginary axis of the sight.

La veglia

Anna Marziano

“Marie-Claude Treilhou (Ateliers Varan) proposed that we make a collective film composed of various shorts that all deal with rage. Even though the project hasn’t yet been completed, right from the start I felt very close to this subject. I’m not talking about the emotional aspect of rage, nor its interpretation in a revolutionary key. Instead, I’m referring to a silent and constitutive rage. Los justos by Jorge Luis Borges was a poem which guided me as I wrote the short, like a serene expression of a radical state of rebellion, composed of the renunciation of power and violence.”

Variations ordinaires

Anna Marziano

Roubaix, a city with an industrial past, is today one of France’s most destitute areas. During six months of shooting in public places, the filmmaker asked the townspeople to think of one or more things they had been told in the past and that had somehow changed them. Through thirteen sequence shots and microscopic images, she then constructed a sort of cartography of micro-transformations of human trajectories, a poetical study of the dynamism of individuals. In between the extraneousness of the images and the intimate closeness of the voices, the ambiguous space of the singular/plural identity is offered to the experience of the public.