Marek Najbrt
1969 (54 года)Knoflíkáři
Petr Zelenka
Pavel Zajíček, František Černý
It is a film consisting of six short stories, which mostly tell in a black humorous, ironic, often bitterly bitter form about an ancient curse, human infidelity, strange deviations, an unexpected miracle and hypocritical forgiveness. They have their own pointed structure, specific atmosphere and way of processing, and yet they pass on motives to each other that communicate with each other and observe the same things from different angles.
Buttoners
The Protector
Marek Najbrt
Jana Plodková, Marek Daniel
A Czech journalist joins a Prague radio station what broadcasts Nazi propaganda in order to protect his Jewish wife. However, as the Nazi rule over Czechoslovakia calls for more and more collaboration, his relationship with his wife spirals downward.
The Protector
Mistři
Marek Najbrt
Jan Budař, Klára Melíšková
Ice hockey is a Czech national obsession, and the country's victory over Russia in the 1969 World Championships, the year following the Soviet invasion, is a celebrated moment in its history. In Marek Najbrt's black comedy, the heroic exploits take place only on a black and white tv screen as a group of representative misfits gather and watch the game in a desolate village on the Czech border. While consisting of recognisable types, Najbrt's bleak portrait reveals a world of alcoholism, debt, racism, bigotry, and infidelity that trails behind the dreams of nationalism and bears little resemblance to the fantasies of the new consumerism. A clever and multi-levelled film, it provides a sharp antidote to the reconciliatory charms of the conventional Czech comedy.
Champions
Polski film
Marek Najbrt
Tomáš Matonoha, Jan Budař
“The fact that I’m playing myself doesn’t mean that it’s me.” Four old schoolmates, today well-known Czech actors (Pavel Liška, Tomáš Matonoha, Josef Polášek and Marek Daniel), decide to make a movie together. Their ambitious colleague Jan Budař takes up directing duties and financing has arrived from Poland. What started out pleasantly enough, however, soon goes awry. Liška’s pronunciation difficulties, Daniel’s alter ego Havlát, and Matonoha’s financial machinations turn the shoot into a fight for survival. More than just a film about friendship and the absurdity of actors’ lives, director Marek Najbrt gives us a witty meditation on reality and illusion, and a unique take on the reality film genre. One of Pavel Liška’s on-set comments (“I didn’t know if I should act as if I were acting, or act as if I weren’t acting, or just not act at all”) illustrates the provocative nature of Najbrt’s subversive, quasi-documentary game.
Polski film
Děvčátko
Benjamin Tuček
Dorota Nvotová, Ondřej Vetchý
A love story which unfolds over three days and nights on the outskirts of the metropolis. Seventeen-year-old Ema (Dorota Nvotová) breaks up with 'dude' Viktor (Lukás Latinák), has a fling with future pilot Karel (Mário Kubas), and meets a real man (Ondrej Vetchý), a taxi driver without a taxi. In the tangle of relationships, the characters sometimes have an opportunity to share their feelings, but sometimes they simply pass each other by. The story is told through Ema's eyes as she observes the world around her while searching for love, fun, and joy. But she's not the only one looking for happiness, nor the only one who finds it hard to avoid hurting others in the process. Ema's abandoned mother (Jana Hubinská) looks for another chance for love, while Karel's parents try to put long-lost meaning back into their marriage.
Girlie
