Veena Jamkar

Bhai - Vyakti ki Valli

Mahesh Manjrekar

Sagar Deshmukh, Iravati Harshe

Biopic of Marathi comedian, India's first stand-up comedian P. L. Deshpande.

गाभ्रीचा पाऊस

Satish Manwar

Girish Kulkarni, Sonali Kulkarni

There's more at stake than just failed crops when a drought strikes a rural community in this comedy-drama from India.

Bhai - Vyakti Ki Valli 2 Uttarardha

Mahesh Manjrekar

Sagar Deshmukh, Iravati Harshe

Second part of the biopic of a Marathi comedian, India's first stand-up comedian P. L. Deshpande.

Nishani Dava Angatha

Purshottam Berde

Mohan Agashe, Purnima Ahire

In a village called Savargaon in Maharashtra, six male and female teachers are told to conduct the adult literacy program. This requires extra working hours but they run the program with no result.

Paltadacho munis

Laxmikant Shetgaonkar

Chittaranjan Giri, Veena Jamkar

A recently widowed forest ranger in India strikes up an unlikely relationship with a woman he finds lost and alone in the woods.

Kharvas

Aditya Suhas Jambhale

Veena Jamkar, Sandesh Kulkarni

After losing her baby in a failed delivery(still birth), Aasawari withdraws to her ancestral home in a remote konkan village. Her struggle to overcome this tragic trauma is met with ultimate provocation when she accidentally learns about, a pregnant cow due to deliver, in their own cowshed.

Bioscope

Girish Mohite, Gajendra Ahire

Veena Jamkar, Nina Kulkarni

Bioscope is an anthology film having 4 short films inspired from 4 poems.

Tapaal – The Letter

Laxman Utekar

Nandu Madhav, Veena Jamkar

It is a story is based over the emotions of a postman at a remote rural village and a school-going boy called Rangya. During earlier times there were hardly a few educated individuals in any village such as a teacher, Patwari and a postman. They were therefore worthy of honour and respect in the village. It is with this thread of the bonding between villagers and the postman that makes up the story of Tapaal.

Taptapadi

Veena Jamkar, Shruthi Prakash

An early marriage and a miscarriage take their toll on Meera's health. She starts losing her vision, her husband Madhav wants to cure her on his own, refusing to consult a qualified doctor. Meera's Brother takes her to a doctor against her will. But she refuses his medication, since an Indian wife must faithfully worship her husband like God. She is blinded by Madhav's botched attempts to cure her. Like a dutiful Indian wife, the blind woman still continues to dote on her husband. The husband loves her in return. How much of his love is really a form of guilt and obligation for the faith shown in him? How much of her love is just out of her traditional outlook? Can their love withstand the tough challenge of life? The challenge comes in the form of a liberated woman with a mind of her own, much like Rabindranath Tagore's vision for a 20th century India.