Wendy Clarke
2021One on One: Arnold and Ahneva
Wendy Clarke
Featuring Arnold and Ahneva from Wendy Clarke's One on One video series, this video dialogue deeply connects the pair through discussion of Black brother and sisterhood. The two find comfort in sharing their own creative individualities, endeavors, and dreams. Their discussion and newly formed relationship poignantly touches upon the impact of mass incarceration within the Black community.
One on One: Arnold and Ahneva
One on One: Ken and Louise
Wendy Clarke
Featuring Ken and Louise from Wendy Clarke's One on One video series, this video exchange encompasses a shared passion for music and pure emotional vulnerability that creates an incredibly intimate relationship between these two strangers throughout the project's evolution. Their connection is palpable, leaving the viewer envisioning a possible real life encounter between the two outside of the realm of this project. One on One is a series of video dialogues between the inmates at California Institution for Men in Chino, California, the members of the Church in Ocean Park in Santa Monica, California, and a group of Crenshaw residents in Los Angeles, California. One on One was produced while Wendy Clarke was the artist-in-residence at the California Institution for Men in Chino, California. The series uses the medium of video as a means to form relationships between people who would otherwise never get a chance to communicate with each other.
One on One: Ken and Louise
One on One: Ricky and Cecelia
Wendy Clarke
Featuring Ricky and Cecelia from Wendy Clarke's One on One video series, this video exchange between the pair explores topics concerning sibling love, decaying family relationships, and a shared interest in professional football. Although brief compared to the other parts within the One on One series, there is a glimmer of genuine human connection in their words.
One on One: Ricky and Cecelia
The Rose and the Players
Shirley Clarke
Jeff Chandler, Carmela Gutierrez
A 1957 rehearsal film test for a dance film inspired by Pablo Picasso's 'Family of Saltimbanques'. Anna Sokolow can be seen on the lower left of the frame. Based on the script found in Shirley Clarke's collection, this looks to be a complete version of Ms. Sokolow's choreography for Act One of the film. Plot subtitles are taken from Shirley Clarke's script. Pierrot and Pierrette's duet transformed into Shirley Clarke's 1957 dance film 'A Moment in Love'.
Rose and the Players – Part 1
Love Tapes
Wendy Clarke
A selection of Love Tapes — a collection of video recordings of 2,500 people from diverse backgrounds who share their personal feelings about love. Love, as described throughout the tapes, is not defined by any one singular meaning, but is instead contextualized by the variety of personal perspectives and experiences within this collection. Such interpretations of love explore lust, friendship, first love, and familial love. This selection consists of 32 edited tapes from 1978-2011. The Love Tapes project began in 1977 and is ongoing.
Love Tapes
The Rose and the Players
Shirley Clarke
Paul Sanasardo, Carmela Gutierrez
In August 1955, director Shirley Clarke and choreographer Anne Sokolow embarked on a dance film about mime. It evolved two years later into 'The Rose and the Players', inspired by Pablo Picasso's 'Family of Saltimbanques'. 'The Rose and the Players' was never completed. Sections of this work were turned into 'A Moment in Love' featuring Paul Sanasardo and Carmela Gutierrez. Their tests can be seen at the end.
Rose and the Players – Part 2
