
Miroslav Homola
1909 - 1983Nikola Šuhaj
Miroslav J. Krňanský
Gustav Nezval, Ludmila Vostrčilová
At the end of the First World War, Nikola Shuhai and his friend from the army desert. On the way home, to the village of Kolochava, they both find refuge with baby Jaga. Jaga mixes them a drink to protect them from the deadly bullets. The bachelors must promise to marry her daughters in exchange for a drink, or they will be punished. Nikola finds his home village in poverty. He stands against the powerful and the rich, and they turn the gendarmes against him. Nikola hides from them in the woods, where he will remain even after the end of the war, because nothing has changed for the villagers. Out of poverty and hopelessness, other men join Nikola and together they raid the wealthy. Nikola distributes the obtained booty to the poor and needy, who see him as their protector and hero.
Nikola Shuhai
The Fabulous Baron Munchausen
Karel Zeman
Miloš Kopecký, Rudolf Jelínek
The 20th century's first man lands on the moon and discovers - that Baron Munchausen has already beaten him to it, along with Cyrano and characters from Jules Verne's lunar-landing novel. The Baron spirits the young cosmonaut by horse-drawn ship back to an ancient "Earth", where they insult a sultan, rescue a princess, fall in love with the princess, and then as a trio have further experiences in a world of pastel colors, ornate dreamlike settings, and the inevitable angry disrupters of peacefulness and love.
The Fabulous Baron Munchausen
Jáchyme, hoď ho do stroje!
Oldřich Lipský
Luděk Sobota, Marta Vančurová
A sincere provincial young man, Frantisek Koudelka leaves to work in Prague. For the trip he buys a computer made horoscope with biorhythms charts, marked according to his date of birth, there are trappy, precarious, unsuccessful and even critical days and few successful days. The clumsy luckless person Frantisek has finally a guidance for his life.
Joachim, Put It in the Machine
Dobrý voják Švejk
Karel Steklý
Rudolf Hrušínský, Eva Svobodová
Good-natured and garrulous, Švejk becomes the Austrian army's most loyal Czech soldier when he is called up on the outbreak of World War I -- although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards and getting drunk, he uses all his cunning and genial subterfuge to deal with the police, clergy, and officers who chivy him toward battle.
The Good Soldier Švejk
Ledoví muži
Vladimír Sís
Rudolf Hrušínský, Jiří Lír
Забавная история о том, как хоккейная команда, состоящая из немолодых спортсменов, начала всюду проигрывать и, несмотря на это, руководство спортивного общества долго не хотело допускать в команду молодежь, но в конце концов вынуждено было согласиться на это.
Ledoví muži
The Stolen Airship
Karel Zeman
Michal Pospíšil, Hanuš Bor
The Stolen Airship (Czech: Ukradená vzducholod) is a 1967 live-action/animated film by Czech filmmaker Karel Zeman. The story is based loosely on Jules Verne's novels Two Years' Vacation and The Mysterious Island. The film in Art Nouveau style consists of live-action scenes, generally shot in black and white, as well as hand-drawn, stop motion, and cutout animation. Various live-action and animated elements are often composited into the same scene.
The Stolen Airship
Zkouška pokračuje
Jaroslav Balík
Ivo Palec, Miriam Hynková
Еще в молодости актер Франтишек Лукавец и его преподаватель Владимир Тума стали врагами. Франтишек настоял на том, чтобы Туму как реакционера и враждебно относящегося к новой власти уволили из училища. Прошло много лет, и вот они вновь встретились на сцене одного театра. Франтишеку поручена роль Юлиуса Фучика, Тума в этом же спектакле играет роль гестаповца. По ходу действия гестаповец бьет Фучика. Воспользовавшись случаем, Тума на генеральной репетиции по настоящему избивает своего давнего врага. По лицу Франтишека течет кровь, но он все равно будет играть. Репетиция продолжается...
Zkouška pokračuje
Case for a Rookie Hangman
Pavel Juráček
Lubomír Kostelka, Klára Jerneková
Lemuel Gulliver (Lubomír Kostelka) has had a car accident and continues his journey across the unknown countryside on foot. On the road he finds a dead rabbit dressed like a man and takes a watch from its waistcoat breast pocket. The half-ruined house that he enters reminds Lemuel of his childhood and brings up a painful memory of a dearly loved girl Markéta who was drowned years ago. Gulliver finds himself in Balnibarbi, a country where he doesn't understand the laws and habits and so continually offends against public decency. It is a day when people are ordered to keep their mouths shut and they force their visitor to follow suit. He faces harsh interrogation and finds it difficult to explain that he is not the rabbit Oscar whose watch has been found in his possession.
Case for a Rookie Hangman
Devilish Honeymoon
Zdeněk Podskalský
Vlastimil Brodský, Jana Brejchová
Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.
Devilish Honeymoon
Maratón
Ivo Novák
Jaromír Hanzlík, Jana Brejchová
It is 5 May 1945 and the uprising against the hated German occupiers has broken out in Prague. The Czech guards open the gate of the Pankrác prison to allow the prisoners to escape en masse. Many of them are shot dead by the German guards but young Ruda (Jaromír Hanzlík) manages to run away. He is taken care of by one of the Prague fighters, concierge Kytka. Kytka hides him in the flat of the house's owner where only the young maid Karla (Jana Brejchová) is left, ordering her to take care of Ruda.
Maratón