Jang Woo-jin

Ashock

Jang Woo-jin

Eun-wha Choi

A restaurant worker who was fired for Jihee's crime pays her a visit.

바다 쪽으로, 한 뼘 더

Choi Ji-yeong

Han Ye-ri, Park Ji-young

Loner Won-woo is a girl who suffers from Narcolepsy. Although Jun-seo always makes fun of her, Won-woo is about to fall for him. Won-woo’s mother Yeon-hee feels compassionate for her daughter who falls asleep whenever, wherever, without even realizing, and Sun-jae who secretly is in love with Yeon-hee touches Yeon-hee’s heart.

춘천, 춘천

Jang Woo-jin

Woo Ji-hyeon, Lee Se-rang

Jihyun is 29 years old and dreams of escaping his hometown of Chuncheon and finding a job in Seoul. On the train ride back home after an interview in the metropolis, he meets a suspicious middle-aged couple, and two stories unfold in Chuncheon.

겨울밤에

Jang Woo-jin

Seo Young-hwa, Yang Heung-ju

A middle-age couple visit a temple in Chuncheon where they spent their first night together 30 years prior. On the way, one of them cannot find their phone and hurries to find it. As the night unravels, they will come across an ex-lover, a friend, and a young couple who resemble them 30 years ago.

새출발

Jang Woo-jin

Woo Ji-hyeon

Finishing his military service, Jihyeon goes back to college, only to face difficult family issues and rumors to abolish departments of college he is belonged to. At a literary club meeting, Jihyeon meets Hyerin, who shares his concerns, and have an impulsive sex after the meeting.

Shot Reverse Shot

Jang Woo-jin

An experimental installation inspired by the shot and reverse shot, one of the basics methodologies of cinema. The audiences follow the path designed by Jang to see the images, and simultaneously they are also recorded by a hidden camera in the reverse angle. This embodies the concept “gaze of gaze.” The film was shot in three different places to capture the atmosphere of DMZ. The installation consists of two-channel projections, CCTV cameras, and objects representing the DMZ.