
Ken Miyawaki
2021Dai kyôryû jidai
Hideki Takayama, Shōtarō Ishinomori
Ken Miyawaki, Mitsuko Horie
A UFO transports three children back to the prehistoric. Three kids who have heard a mysterious call from advanced beings whom are about to take them in a journey of self discovery through the ages learning from love and friendship but also hate in a world of dinosaurs.
Age of the Great Dinosaurs
運が良けりゃ
Yoji Yamada
Kiyoshi Atsumi, Hajime Hana
A group of ne'er-do-wells live happily in the slums of what is now Tokyo and have a number of adventures: they get drunk and go whoring, revenge themselves on cruel landlords, animate the corpse of a money-lender in order to frighten people. Then they assist at the marriage of a lovely girl and almost kill themselves gambling to provide her with a dowry.
Gamblers' Luck
Zero WOMAN 危ない遊戯
Hidekazu Takahara
Chieko Shiratori, Ichiho Matsuda
In this installment of the Zero Woman series, Rei, the number-one assassin of the Tokyo Police Department's secret Zero Division, has been assigned to take out a notorious gangster responsible for dozens of murders. At the same time, she must protect the gangster's mistress from the hitmen who want to keep her from telling the police what she knows. At first, both women are upset about the arrangement, but they eventually come to appreciate each other.
Zero Woman: Dangerous Game
(本)噂のストリッパー
Yoshimitsu Morita
Kaori Okamoto, Ken Miyawaki
In this irreverent take on a coming-of-age story, young man Yoichi (Kensuke Miyawaki) falls head-over-heels in love with Gloria (Kaori Okamoto), who works at the local strip joint. Innocent Yoichi attends Gloria’s shows every day as his mind is filled with images of her. Unlike many hot and heavy pink films of the time, there is a lot of levity to Top Stripper, along with profound moments of bittersweet disappointment familiar to the young love genre. Still early in his career, Yoshimitsu Morita was one of the handful of young, radical directors who were given the opportunity to explore the visual medium via the constraints of the pink genre. The creative shots, framing, and overall playfulness are a must-see. This film was the first of the pink films that Morita directed and was made one year before he directed his iconic The Family Game.
Top Stripper