Manuel Romero
1891 - 1954
El hincha
Manuel Romero
Enrique Santos Discépolo, Diana Maggi
A mechanical worker and football fanatic finds the meaning of life in encouraging, following and collaborating with the club that he loves, to the point of indefinitely postponing the marriage with his eternal girlfriend.
El hincha
El diablo andaba en los choclos
Manuel Romero
Luis Sandrini, María Esther Buschiazzo
Country boy moves to Buenos Aires, falls upward into a prestigious career. Meanwhile two idle-class playboys are running practical jokes on him that interfere with his personal life.
El diablo andaba en los choclos
Los muchachos de antes no usaban gomina
Manuel Romero
Florencio Parravicini, Mecha Ortiz
A Young man from a wealthy family hide them his attraction for tango culture of arrabal. In a milonga he fell in love with Mirella and he have a knife fight with all others guapos that want her, he won. Time pass and Mirella became a mistress but this situation is unstable because of the society prejudices.
Los muchachos de antes no usaban gomina
Fuera de la ley
Manuel Romero
Luis Arata, José Gola
A delinquent, the son of a police commissioner, leaves prison to seduce someone who should be like a sister to him: a girl raised and loved by his parents. To force her to give in to his obsession, he kidnaps her little daughter.
Outside the Law
Tres anclados en París
Manuel Romero
Hugo del Carril, Enrique Serrano
Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.
Tres anclados en París
