Cecilia Mangini
1927 - 2021Il mondo a scatti
Paolo Pisanelli, Cecilia Mangini
Cecilia Mangini, Paolo Pisanelli
"Il mondo a scatti" is a film that intertwines images of today and yesterday, still images and moving images through a dialogue between two people who reflect on the visible and invisible things of the world: Cecilia Mangini, unstoppable ninety years old, photographer, documentary maker, screenwriter is filmed by Paolo Pisanelli, photographer, director, curator of cultural events.
The World in Shots
Essere donne
Cecilia Mangini
This documentary is one of the earliest film enquiries on women's condition in Italy, seen in its different aspects: social, economic, psychological. Starting from an analysis of the feminine role models proposed by the cultural industry, the film finds its protagonists among all kinds of women.
Being Women
La Canta delle Marane
Cecilia Mangini
On a hot summer day, a group of boys of the Roman suburbs play and laugh in one of the many rivers that surround the city. The camera scrutinizes them, approaches them, reveals the gestures and glances, wraps them in a sort of visual dance, while the words of the commentary (entrusted to the poetic sensibility of Pier Paolo Pasolini) narrate the stories, desires, dreams, the future.
The Chant of Tiber’s Branches
All'armi siam fascisti!
Lino Del Fra, Cecilia Mangini
Giancarlo Sbragia, Emilio Cigoli
Documentary compiled from archives and accompanied by a poet's commentary, shows the sweep of modern Italian history from 1911 to 1961, centering on the conditions leading to Fascism and the post-WWII reaction to the Fascist experience.
To Arms, We Are Fascists!
Due scatole dimenticate - Un viaggio in Vietnam
Paolo Pisanelli, Cecilia Mangini
Cecilia Mangini, Camille Gendreau
Before becoming a film critic, then a maker mainly of sharply engaged documentaries, usually in tandem with her late husband Lino Del Fra, Cécilia Mangini was a photographer. Taking pictures was something she did all her life, alongside whatever else she was working on. In 1965 Mangini and Del Fra went to war-torn Vietnam to make a film they never finished. More than half a century later, she returned to these images, moving and still, some of which she found again by accident.
Two Forgotten Boxes
Brindisi '65
Cecilia Mangini
Initial panorama of Brindisi, a city with a peasant tradition. The petrochemical, city within a city. Children in poor neighborhoods, workers' voices: the crisis, the layoffs, the need for the recommendations of the Christian Democrats to enter Montecatini. Wealthy men and women binge at the restaurant. Voices of agrarians, forced to leave the earth to make room for the petrochemical. A ballroom. In a puppet theater, a show is staged in which the worker is addressed as "starved". At a course for foremost workers, various compliant testimonies follow one another: Monteshell is a large industry, and no one has any criticisms against it. But another worker, elsewhere, with his face in the shadows, confesses that everyone is afraid to speak, skilled workers get the same pay as simple ones, 400 colleagues have been fired, union activists are "special supervised", and going on strike is a business. 35mm b/w
Brindisi '65
Divino Amore
Cecilia Mangini
The film begins at night, as parishioners holding lanterns form a series of processions, travelling through the night from Rome, and villages in the Abruzzi and Lazio regions, to make it to the Santuario della Madonna del Divino Amore, 10 miles from the capital, by morning. More than an anthropological study of ecstatic devotion – with its genuflecting disciples, and women who scream desperately at the sky – Divino Amore also speaks to Mangini’s interest in disappearing rituals and communities at risk of extinction. When generations of worshippers pour out of the church at the end of the service, formality dissolves into secular leisure, as families perched on horse carts eat plates of spaghetti and men fall asleep on the grass. The velvet-clad austerity of the church’s interior gives way to a series of pastoral tableaux.
Divine Love
Moroloja
Alexander Ingham Brooke
Cecilia Mangini
In 1962 Cecilia Mangini, an Italian filmmaker made 'Stendali', a documentary about a group of women who practiced an Ancient Greek funeral rite in the southern Italian town of Martano (Puglia, Lecce). Shortly after the filming of 'Stendali' the women died out, with no one to replace them, the rites disappeared, leaving the town in its silence. In 2011, 50 years later, the film 'Moroloja' looks back upon the site of the funeral, revisiting the town of Martano, revealing that some of the women are still alive. Narration by Cecilia Mangini.
Moroloja
La briglia sul collo
Cecilia Mangini
Fabio Spada
Roman township of San Basilio: Fabio, 7 years old, in Italian a "character", is assigned to a differential class. How the family reacts, what the neighbors say, what the teachers, the principal, the psychologist of the elementary school think: the doubt is that there is no re-education of a child at stake, but the green light for social homologation.
The Bridle On The Neck
Vif-argent
Stéphane Batut
Thimotée Robart, Judith Chemla
Juste wanders the streets of Paris looking for people only he can see. He collects their last memory before helping them into the afterlife. One day Agathe, a young woman, recognizes him. She belongs to his previous life. She is alive and he is a ghost. How will they manage to love each other and seize this second chance?
Burning Ghost
