Mykola Oliynyk
1944 (82 года)The White Bird Marked with Black
Yuri Ilyenko
Ivan Mykolaichuk, Yuri Mikolaichuk
A family struggles to survive in an area that was claimed as part of Rumania, Poland and the Ukraine, all within a short span of time. When World War II comes, various family members choose different masters; some even choose to work for the Soviets. War, struggle, marriages, births, deaths--all these events punctuate the story of this large family.
The White Bird Marked with Black
Совість
Voldodymyr Denysenko
Anatoliy Sokolovskiy, Nikolai Gudz
The action takes place during World War II and the German occupation of Ukraine, in a small village. During clashes on the road, the village boy Vasyl, one of the local partisans, killing a German officer. The occupants take hostages and vow to execut all village inhabitants will beed, including old people and children, if the perpetrator is not found and delivered to them. The problem of choice faces the fellow villagers and Vasyl himself. The film is striking it its black-and-white imagery unfolding not so much against, as together with, the emotionally intense music by Pederecki, Bakki, and Skoryk. Conscience is absolutely free of Soviet ideological clichés obligatory for the WWII genre, and was immediately banned by the Soviet censorship. It was first restored in 1989 by the Dovzhenko Studio and in 2011 by the Ukrainian Ministry of Culture.
Conscience
Далеко от Сансет-бульвара
Igor Minaev
Yuliya Svezhakova, Sergey Tsyss
The thirties, the heyday of Soviet film production. The story of the famed couple's glory — a filmmaker and actress, behind the external well-being of which were hidden strange contradictory relationships and a sense of fear that they carried through their whole lives. The prologue to this story is the 85th anniversary of Lidiya Polyakova, the formerly brightest star in Soviet cinema, who played the main role in all the films of her own husband, director Konstantin Dalmatov. Now in the courtyard there are other times, Dalmatov’s movies are called ideological agitation, and the director himself and his wife are hiding from the world in the country, trying not to let anyone in. Before the audience, there is a story of a dizzying triumph of this cinematic couple and its behind-the-scenes drama — a story that began in the 30s of the XX century.
Far from Sunset Boulevard
